City, Community, Resources

OUR CITY

Seattle and film are a love match. This city is a hotbed for film, home to the nation’s largest truly independent film festival and a population that consistently demonstrates unparalleled cultural moxie. Seattle–with its rainy nights, copious coffee and hip population–is a crucible for creating great movies and bringing together aspiring filmmakers from all over the globe.

Perhaps Quentin Tarantino said it best:

Seattle has developed a huge reputation in the business as this Movie Mecca to the north. The perception is that it’s become to screenwriters what Paris in the ’20s was to novelists–a romantic environment of inspiration and support.

Here’s proof: In 2006, more than 228 films, television shows and commercials shot in Seattle and the city anticipates an additional 50 percent increase in filming over the next two years. 

 Film Industry Magazine which just said: “Seattle is one of the 10 Best Cities for Aspiring Filmmakers

 

 

OUR FILM COMMUNITY

Seattle’s independent film scene is thriving. Below are just a few of the organizations and establishments that make our community so unlike any other film community in the country.

 

 

Northwest Film Resources

Below are a series of online resources for getting your movie made in the Northwest.

Washington State Film Office
Official film site of the department of community, trade and economic development.

WashingtonFilmWorks
A nonprofit organization that promote economic vitality in Washington state by encouraging growth in the film and video production industry.

Northwest Production Index
An online list of production resources in Washington and Oregon.

The Seattle Film + Music Office
Seattle City office office devoted to promoting Seattle’s film and music industries offering creative tax incentives and professional business development opportunities.

The Northwest Screenwriters Guild
A non-profit screenwriting organization committed to fostering collaboration and growth within the local Pacific Northwest film community.

Northwest Film Forum
The Film Forum screens over 200 independently made and classic films annually, offering a year-round schedule of filmmaking classes, and supporting filmmakers at all stages of their careers.

Women in Film Seattle
Women in Film Seattle is a non-profit organization of professional women in the film, video, new media fields dedicated to helping our members through support, education, and professional connection.

The Office of Film + Music
The Office of Film + Music is dedicated to supporting the film industry and works to maintain Seattle’s reputation as a professional, efficient, and hospitable location for your next film project.

The 48-Hour Film Project
The 48-Hour Film Project will return to Seattle, probably in June. Filmmakers from all over the Seattle area will compete to see who can make the best short film in only 48 hours. The winning film will go up against films from around the world for the title “Best 48 Hour Film of 2012″.

The Seattle True Independent Film Festival
The Seattle True Independent Film Festival is dedicated to the exhibition of independent, underground, experimental and zero budget films. The festival endeavors to provide cultural exchange and educational opportunities by bring a diverse selection of films to the area and provide a place for networking between local filmmakers, visiting filmmakers and the public.

The Seattle Lesbian & Gay Film Festival
Held annually in October since 1996, The Seattle Lesbian & Gay Film Festival has grown into the largest event of its kind in the Pacific Northwest, gaining industry and audience recognition for showcasing the latest and greatest in queer film, from major motion picture premieres to emerging talent. An important venue in the Seattle film scene—and the social event of the season—the festival provides unique opportunities for visiting and local filmmakers to engage and entertain over 10,000 attendees.

The Seattle Jewish Film Festival
As a program of American Jewish Committee Seattle Regional Office (AJC), the Seattle Jewish Film Festival (SJFF) at its core strives to build bridges of mutual understanding between diverse groups through a stellar lineup of international films, related educational programs and illuminating guest artists.

NFFTY
The Talented Youth is a 501(c)(3) non-profit arts organization that was founded in 2007 with NFFTY (National Film Festival for Talented Youth) as its flagship program.
NFFTY has grown into the world’s largest youth film festival. Each year the festival showcases films by directors 22 and under.

911 Media Arts Center
In a time of major advances in digital media 911 Media Arts Center envisions a future where independent voices thrive in a society that fosters diversity, innovation and artistic excellence.

Seattle International Film Festival
SIFF’s mission is to create experiences that bring people together to discover extraordinary films from around the world. It is through the art of cinema that we foster a community that is more informed, aware, and alive.

 

OTHER FILM RELATED LINKS:

35TH STREET MISSION

AFCI (ASSOCIATION OF FILM COMMISSIONERS INTERNATIONAL)

ALPHA CINE

AUDIOSOCKET
Audiosocket is a music licensing agency that represents all types of pre-cleared quality music for placement in Film, TV, Advertising,Video Games and New Media. Their catalog is full of bands, musicians and composers that are active in the market place.
licensing@audiosocketmusic.com

BURLINGTON NORTHERN AND SANTA FE RAILWAY
Gus Melonas 206-625-6220.

DIGITAL CINEMA ARTS

THE FILM COMPANY

FILM GUIDE SEATTLE
Film Guide Seattle is a comprehensive listing of professional film and video people in the Seattle area. This site also offers industry links, and links to Seattle traffic maps or Washington State road conditions.

FULL POTENTIAL CPA

GALES CREEK INSURANCE CO.

IFP/SEATTLE – INDEPENDENT FEATURE PROJECT

INDIETV.TV

NATAS (NATIONAL ACADEMY OF TELEVISION ARTS & SCIENCES)

MODE STUDIOS

NORTHWEST PRODUCTION INDEX/MEDIA INDEX PUBLISHING, INC.

MEDIA-INC.com

SEATTLE FILM INSTITUTE

STUDIO TRUCKS LLC

VICTORY STUDIOS

VR SEATTLE

Recent Posts

The Hospital

FADE IN:  To hallway inside a hospital.

INT. Establish Hospital nurses desk in hallway – Night 

Two nurses running inside a room to the sounds of screaming

INT.  Girl laying inside hospital bed screaming hunched over the rolling tray on side of bed. Girl sweating and delirious. 

Alexis   (Narrating)

So I sat there, on the edge of that hospital bed screaming at the top of my lungs, my upper body leaned over the rolling tray that food is usually on. I had no clue what was going on, all I remember was two nurses running into my room asking me

 Nurse 1 (Woman)  

Honey, Honey, are you alright? 

NURSE 2 (MAN)

Do you know what day it is? 

 ALEXIS 

No response (screaming has stopped)

 NURSE 2

 Do you know where you are? 

ALEXIS 

The hospital. 

 ALEXIS (CONT’D)

 Yes, once again I was in the hospital and coming to my senses. I realized what happened to me. I was stoned out of my mind. High as a kite on the beach in the summer. I had no control over my body. Wait, that was it, I had no control over my body. I don’t remember much of what happened after I came back to my senses, but I knew the hospital was the last place I wanted to be. 

NURSE 1 

Honey, did you realize you were speaking in another language? Do you know what you were saying?  

ALEXIS 

What did she just say, I was speaking in another language?  

ALEXIS (CONT’D)

 Umm, I’ve spoken in tongues once at church. 

NURSE 1(Laughs)

Honey I’ve done that at church and that was not what that was. It’s ok now, just get some sleep. 

 Alexis throws her head back on the pillow. She is wondering what has really been happening to her all this time. It was like waking up from a bad nightmare and having someone tell you all your actions in your sleep. 

 ALEXIS 

(Raises up in her bed to talk) 

I needed the hospital, and the hospital needs me. I needed someone somewhere to decide they care enough about people and medical conditions to help me understand what was happening inside my body. I needed a man or a woman one day to decide they wanted to be a nurse to help me when I was not strong enough to help myself. I needed a janitor to come in and help me change my sweaty bed sheets when the morphine made my body lose control. But what I really needed was for someone to spend the night in the hospital room with me to make me feel less alone. But those days were over.  And there I was alone, with no control over my body, stuck in a hospital bed waiting for someone to tell me my blood levels were high enough so that I could go home. But the truth about where I was in my life was that I was having a horrible divorce. My love affair with the hospital had finally ended. I hated her, and she still wanted me. But I needed her, and she needed me, but I hated her. Which means if I hated her, at some point I had to love her

THE HOSPITAL ROOM NOW CHANGES INTO WHAT IT USED TO LOOK LIKE FOR ALEXIS AS A SMALL CHILD. ALEXIS IS STILL IN THE HOSPITAL ROOM NARRATING HER STORY. SHE IS STANDING WITH A HOSPITAL GOWN AND AN I.V. POLE WATCHING HERSELF AS A CHILD WITH A ROOM SURROUNDED WITH PEOPLE FLOWERS, BALLOONS AND GIFTS.  DAY.

Alexis is in the room watching herself play with a yellow power ranger doll her uncle brought her. 

 ALEXIS

 At some point in my life, I was in love with the hospital. I was in love with how she worked her magic powers and got everyone to come see me and be concerned about me and spend the night with me. She could never cook, but as long as someone brought me food instead, she didn’t mind. But now, something in here had changed. The thought of her made me itch. She had lured me in with gifts, and love, and time, only to find out that she was really a house of horrors. But I needed something that was in her that no one could give me. Medicine. Deadly miraculous medicine. Medicine that stopped the pain, IV fluids that helped me get oxygen to my lifeless blood cells. But the promise of rest, oh she could have kept that lie! Every time I closed my eyes, she was sending someone in my room. Nothing she showed on T.V. was remotely nice, and I got to the point where no amount of entertainment she brought made me happy. I hated her, but I needed her and she needed me.  

Alexis (child) is staring at the yellow power ranger doll and watches as the face of the doll turns into demon. There is screaming again the in the background.  The walls in the room turn black, and all the people disappear. The balloons begin to pop, and the room swivels back into the hospital room Alexis is currently in.

 INT. Scene goes back to the hospital room that Alexis was in at the beginning of the story.  Alexis is back sitting on the bed sweating. Night. 

ALEXIS 

Deep inside I knew, if I wanted to be free from her I could. Maybe if I drank enough water, took my medicine, got enough sleep, maybe just maybe, my blood cells would behave, not sickle, and not cause me to be in so much pain that would have to see her again. But there was another sad sad song playing in the background, something that I did not want to admit. I was addicted to her. This addiction surpassed love, hate, and all forms of godliness. I actually liked going to the hospital, I actually liked being sick. I liked the attention, I liked the medicine, I liked the care however short lived. I liked all the plastic packets that needles and I.V. bags came out of. I liked the rush of morphine flowing through my veins and the slight discomfort I felt when it did. I liked the phone calls, text messages, I liked the times of justifiably feeling sorry for myself.  What I did not like was the tremendous amount of pain sickle cell caused my body. There were times I had crisis so bad, that no matter how much morphine I got the pain was still there.  

 INT. Alexis walking her way into the emergency room of a hospital hunched over and screaming, telling the triage nurse her problems. Alexis is holding her back but can’t sit down. Show faces of people in the e.r. looking at her screaming. Alexis trying to hold her head down to not look.

ALEXIS

And that was it, the reality of the prison cell I was sitting in hit me, I didn’t want her anymore. I did not want her anymore because eventually, everyone was used to me being sick. Everyone knew I was going to get out eventually, and so everyone went on with their lives. Me being sick no longer brought my family together. And that was what made me decide I had had enough of her. But I did not know how to function without her. I had spent so much time being sick, who was I outside of being a sick child? Part of my identity was stuck inside the word Sickle cell patient, and it from birth was stuck inside of me. And so there I was, in the middle of the night screaming from being high off of morphine because of the pain of Sickle cell anemia had me back in her arms, hating and loving her, the hospital at the same time. I hated her, but I needed her, and she needed me. 

 INT. Hospital room.  NIGHT. 

 ALEXIS

 There was nothing I could do for myself to get rid of this disease. Of course I could take my medicine and stop feeling the pains of this disease, but I could not get rid of it. But sadly, I don’t think I wanted to get rid of it. See, sickle cell made me different from all the rest of the world. It gave me a social and political platform to stand on besides being a black woman in the south. It gave me a voice, it gave me a reason to talk. It gave me a reason to talk to people to try and show them how much they should value their health. It gave me a reason to be different.  

Alexis rolls over and looks at the clock. It is 5:45 A.M. 

ALEXIS (CONT’D)

 Pretty soon, someone will be walking in my room to check my blood levels. Then after that, the doctors all dressed in white will come and stand and the top of my bed staring at me. They will either tell me I am staying here another day, or they are ready for me to go home based on my blood levels. Then someone will call me asking for my breakfast lunch and dinner choices. Then my nurse will come in. And next thing I know it is eight o’clock in the morning and I haven’t had any sleep. 

 ALEXIS (CONT’D) 

There was a time in my life where the hospital and I were having frequent one night stands. I would get sick, she would invite me to the e.r. And then I would get treated like a drug addict. I couldn’t believe how inhospitable she was being. It was the first time in my life I got a smack in the face that my disease didn’t make me different. Just because i didn’t come in the door screaming and shouting didn’t mean I wasn’t hurting. I had just learned how to be quiet when I walked in to not draw attention to myself and make my pain any worse. But she kept me in her e.r., on several occasions never to see upstairs like I wanted to. They claimed I couldn’t go up stairs because my blood levels didn’t indicate the severity of my pain. 

 NURSE 1

 What is your pain on a scale from one to ten ?

 ALEXIS

 They would ask. 

But then when they take a look at those blood counts and see they aren’t low enough for them to admit me, I knew I would be having a one night stand in the e.r., never to spend the night.  But somewhere in here, things changed. Sometimes, you have to stop feeling sorry for yourself, no matter how scary change could be.  

Alexis gets up out of the bed and gazes out of the window. She turns to go to the bathroom and looks at herself in the mirror.  

ALEXIS (CONT’D)

 So I have decided not to feel sorry for myself anymore, no matter how scary it is for me to imagine myself without sickle cell. The truth is no one really cares anymore, I am no longer a child, and I guess that means I have to change along with everyone else.  

Alexis walks out of the bathroom and walks out of her room into the hallway with the I.V. pole in her hand. The nurses at the desk smile at her. The sign of a healthy patient who is ready to go home is the one who walks down the hall. 

 NURSE 1 

I see you are feeling better today. 

 INT. Alexis is walking down the hallway as it turns into a beacon of light.  END.

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