Poetry as Storytelling

bull cornerGreetings, culture bugs!

In anticipation of our March 5th Poetry Slam First Tuesday, enjoy this essay where I attempt to convince you that poetry is worth your time:

Today’s poem is called “Ars Poetica” by Archibald MacLeish.

While I love this poem by MacLeish, it is difficult to say exactly what he means by “a poem should not mean, but be.” Perhaps that is the point.

Were old Archie alive today, I would love to put the following question to him: What separates a poem from other forms of writing?

Here are my answers:

  • Performance – a poem is designed to be shared
  • Durability – a poem should be memorable

All the tricks of poetry- meter, repetition, rhyme, the controlling image, are hooks that the human brain has an easy time holding on to. Even a poem that is reputedly free verse, when spoken aloud, should reveal an ease of speech and recall that plain prose doesn’t necessarily possess.

In fact, for a poem to “be” at all, someone must be thinking about it.

Let’s all hop in the way-back machine and see if we can figure out why people started telling poems to one another in the first place.

Stories in Pre-History

It has taken literacy and writing an obnoxiously long time to catch on. While it behooved traders to keep track of their stock by making marks on handy surfaces, your average proto-person couldn’t be bothered with such things, let alone picking up a magazine.

Talking, however, and singing, well these things came naturally.

Nobody can say when the first group of hunters sat around a campfire and listened to one in their number sing, often with useful information like where to find food embedded within the song.

It is just as hard to identify the points at which it became common to gather the family around you and tell your sons and daughters to stop hitting each other, then settle them down with a fantastic tale that also instructs them how to behave towards their siblings.

Because stories told with a meter, rhyme, or powerful imagery were easier to remember,  they were easier to re-tell. These stories could survive generations of re-telling, elaboration, subtraction, and yet still contain the most important information.

Survival of the fittest story.

In the eco-system of ideas, to be forgotten is to die. To be repeated is to reproduce, and to be easily reproduce-able is to be fit.

These days, we use a whole suite of media, films, books, internet memes, for the same purpose: to remember.

We are well accustomed to movies based off musicals based off books based off YouTube videos. Repetition of the same types of story is everywhere.

Oration continues to be important today, with political leaders and activists using old techniques of public speaking to sway crowds to action, or a decision, or a certain feeling.

Where does poetry fit in to all of this? Where doesn’t it fit? There are armies of copy-writers, graphic designers, advertisers, whose sole occupation in life is to create something that you can’t forget.

As a storyteller, that is your occupation as well. Why not study to old techniques then, if they’ve lasted this long? Why not take a moment to explore the history of ideas as expressed through poetry and see for yourself what secrets you might learn? Poetry still has a power over us, even today, but don’t take my word for it:

Damon Arrindell is the Slam Master of Seattle.  Hear stories from him and your neighborhood slam-poets March 5th at Roy St.

P.S. I was going to try for four Rocky and Bullwinkle references in this article, but my editor informs me that three is Badenov.

Douglas Horn

With sharp, evocative dialog and striking visual flair, writer-director Douglas Horn’s work has quickly gained a following among film audiences. His debut feature, Entry Level starring DB Sweeney, Missi Pyle, and Kurtwood Smith was released by PorchLight Entertainment and sold into markets worldwide. His short film, Full Disclosure starring Judy Greer and Brent Sexton won over a dozen awards for Best Short Film and went on to become a #1-selling short film on Apple’s iTunes Store and has been included in over a half dozen short film compilation sets through Official Best of Fest and other distributors. Douglas’s family film Babysitters Beware with Danny Trejo, Dee Wallace-Stone, and Rico Rodriguez is in distribution from Phase 4 Films. He was also the original and primary screenwriter of the feature film, All I Want is Christmas featuring Elliott Gould and David DeLuise also distributed by Phase 4 Films.

Douglas Horn and Dan Southworth founded Popular Uprising, a media company that is redefining independent series by offering premium cable-type programming distributed over the Internet. Popular Uprising’s action/sci-fi series DIVERGENCE launched in August 2012 following a presentation at Comic-Con International.

Douglas has a background in developing and marketing consumer products for high profile properties. When not creating films and series, he consults on the development of games and other consumer products for AAA brands including Disney’s Pirates of the Caribbean, Marvel Avengers, Disney Princess, Disney’s Phineas and Ferb, Mattel’s Barbie, Dr. Seuss, Pokémon, and others. Douglas lives in the Seattle area with his wife and two children.

Join us welcoming Douglas to our November First Tuesday Panel

Web TV @Roy Street

It’s time to have a serious talk about Web TV.

Wikipedia.org defines Web TV as ”a rapidly growing genre of digital entertainment, using various forms of new media to deliver original shows or series to an audience.

“If you’ve watched the high-pitched YouTube sensation Fred, CollegeHumor, or Happy Tree Friends then you know what a sensation web TV is becoming.”

Join us for First Tuesday, November 6th as a panel of web series producers, including Ben Dobyns (THE GAMERS), Douglas Horn (DIVERGENCE), Glynis Mitchell (CAUSALITY), Todd Downing (THE COLLECTIBLES), and Jay Alan (BEING ISADORA), discuss this new form on the internet and why it is the happening thing for filmmakers as well as audiences.

Roy Street Coffee and Tea, 
700 Broadway East, Seattle

6:30 PM  FREE … Let your Facebook friends know you’re going.

First Tuesday – Horror Night

What makes scary movies scary?

And why do we like being terrified? Come watch some of the scariest scenes on film, and hear actors read scary scenes from SUNSET, written by alum Kelly Young and directed by alum Eric Morgret. Boo!

Roy Street Coffee and Tea, 700 Broadway East, Seattle, WA 

October 2nd, 6:30 PM

RSVP on Facebook

First Tuesday: Casting Night

How does the casting process work?

What is a casting director?

How important is it to cast the exact right actor and how do you know?

What can actors do to improve their chances of being cast?

Join Seattle actor David S. Hogan, with special guests Angela DiMarco (actress – IRA FINKLESTEIN’S CHRISTMAS), and Ben Andrews (producer – EVIL SLAVE), in a discussion on “all things casting” for the northwest film actor and director.

Let your friends know your going (Facebook).

Speaker Series: Joe Dante (GREMLINS)

Closing Day Speaker to Summer 2012 is Joe Dante, the award-winning director of such classics as INNERSPACE and EXPLORERS.  He cut his teeth on the horror/fantasy genre while working for Roger Corman in the 1970s. After working with Steven Spielberg on TWILIGHT ZONE: THE MOVIE, he was offered the chance to direct GREMLINS.  Since then, Joe has been a highly prolific filmmaker credited on scores of blockbusters.

Join us Saturday July 28th from 10am – 4pm @ the SIFF Film Center (MAP) for a screening of GREMLINS 2 followed by a Q & A with the writer / director.  There will be a lunch break from 12pm – 1pm.  This is event is FREE and open to the public.

Snag your seat via Facebook.

Speaker Series: Eric Red (THE HITCHER)

Writer / Director Eric Red is best known for the horror cult classic THE HITCHER.  He followed that with several horror films including NEAR DARK and the award-winning BODY PARTS.  His most recent project is the supernatural thriller 100 FEET starring Famke Janssen.

Join us Saturday July 21st from 10am – 4pm @ the SIFF Film Center (MAP) for a screening of 100 FEET followed by a Q & A with the writer / director.  There will be a lunch break from 12pm – 1pm.  This is event is FREE and open to the public.  

Snag your seat via Facebook.

First Tuesday – June – TFS Shorts

Join us this Tuesday, June 5th, for a rare treat.  We are screening of a collection of film shorts produced, written, and/or produced by THS alumni and staff.  Come down to Roy St. Coffee and Tea (map) at 6:30 and enjoy the fruits of our labors.  Some filmmakers will be in attendance, so strike up a conversation!  As always First Tuesdays at Roy Street is a FREE event.

Our featured shorts are:

Chickamauga | John Henry Summerour

So This Priest Walks Into a Bar | Mark Lundsten, Josh Bourland

Fetch | Keven Klar, Chris Oliver, Rick Stevenson

Pretty Face | Sam Graydon

Night Blind | Robert Parks/Sean West

Arthur | John Jacobsen, Chris Oliver

Spinning | John Jacobsen, Romona Guentzel, Chris Oliver

The Taxidermist | Bert and Bertie

RSVP on Facebook

See Films by our Alumni at SIFF

We couldn’t be prouder of the amazing alumni that have films in SIFF this year.   Here they are:

Your Sister’s Sister | Steven Schardt, Producer
Opening Night Gala


Bunker
| Sam Graydon, Director of Photography
SeaTown Shorts

Brightwood | L. Gabriel Gonda, Director, LaDora Sella Writer/Producer  Characters Wanted

The Last Virgin | Shawn Telford, Writer/Director
ShortsFest Closing Night

5000 Days Project | Rick Stevenson, Producer, Kevin Klar, Cinematographer

Ira Finkelstein’s Christmas | Sue Corcoran, Director

Camilla Dickinson | Cornelia Duryee Moore, Writer/Director

Spinning | John Jacobsen, Director, Chris Oliver, Producer, Ramona Guentzel, Writer
SeaTown Shorts

Congrats to everyone who participated!

TheFilmSchool Work Showcasing @ SIFF Including opening night film, Your Sister’s Sister

style=”text-align: justify;”>270908_225755464121874_2701728_nFirst of all, the Seattle International Film Festival (SIFF) opens tonight!  Congratulations to Deb Person, Carl Spence and the entire hard working SIFF team for mounting what promises to be another excellent festival this year.  We’re also so proud of our alumni and staff whose work will be showcased this year including:

YOUR SISTER’S SISTER
Steven Schardt, Producer

IRA FINKLESTEIN’S CHRISTMAS
Sue Corcoran, Writer/Director

THE LAST VIRGIN
Shawn Telford, Writer/Director

CAMILLA DICKINSON
Cornelia Moore,  Writer/Director

BUNKER
Sam Graydon, Director of Photography

BRIGHTWOOD
L. Gabriel Gonda, Director, LaDora Sella Writer/Producer

5000 DAYS PROJECT
Rick Stevenson, Producer, Kevin Klar, Cinematographer

SPINNING
John Jacobsen, Director, Chris Oliver, Producer, Ramona Guentzel, Writer

SIFF FLY FILMS
One is written by Sam Graydon, another by Heather Hughes and Kate Wharton