Modern Mythology

Check out this great article from modernmythology.net:

“The Power of Myth was one of the most popular TV series in the history of public television. In a series of six hour-long episodes, American mythologist Joseph Campbell peeled back the layers of mystery that had once shrouded our species ancient storytelling traditions.

Campbell blew away the accumulated funk of centuries of traditional academic inquiry, and connected the dots between mythic traditions that had once been separated by hundreds of miles, and thousands of years. He postulated that there was a single mythic narrative, a monomyth that had been translated into many different languages, and disguised in the symbols of many different cultures–but one that essentially shared the same structure and sequence of events.”

Want to learn more?  Learn more about myth and story here.

Read the rest of this awesome article at modernmythology.net and be sure to study their excellent infographic.

TFS Alum to direct new play

TFS alumni Margie Slovan is directing “River Ice,” a new play by Olympia writer Scott Timmons. It is the true story of the daredevil Czech parachutists who assassinated Reinhard Heydrich, the Nazi who was known as the “Butcher of Prague.”

“I love directing new work because there is always so much to discover,” Margie says. She has directed several new plays since she graduated from TFS, and has adapted one of those plays into a feature-length screenplay. “River Ice” is her second production with Playwrights’ Theatre, a company dedicated to new work.

A former journalist and actor, Margie came to TFS to learn screenplay structure and left with a serious directing addiction, a turn of events she credits to Tom Skerritt’s class. And John mentored her in her first directing gig, for the Freehold Studio Series, where her production of “French Quarter” (written by fellow TFS alum Leonie Mikele) won “best of fest.”

“River Ice” opens at the Bathhouse Theatre on Green Lake this Saturday, September 1st  and runs through September 16. www.playwrights-theatre.org.

The Titantic Role of Myth in Modern Script-writing

James Cameron said in a letter to the Los Angeles Times, March 28, 1998, the movie, Titanic, intentionally incorporates universals of human experience and emotion that are timeless and familiar because they reflect our basic emotional fabric. By dealing in archetypes, the film touches people in all cultures and of all ages. These archetypal patterns turn a chaotic event like the sinking of an ocean liner into a coherent design that asks questions and provides opinions about how life should be lived.

The Hero’s Journey is the foundation upon which the vast majority of successful stories and Hollywood blockbusters are based. In truth, there is really only one story; what James Joyce named the “monomyth.” Every great story essentially alternates situations and superimposes them over the same structure. The Godfather, Slumdog Millionaire, Brokeback Mountain, Gladiator, Annie Hall, Shrek, The Fighter, The Shawshank Redemption and other successful stories are all one and the same – various situations built on the same foundation. Spielberg, Lucas, Scorsese, Coppola, Nolan, Cameron all use this structure. Shakespeare used this structure. Stories in the Bible, the Vedas, the Torah and the Koran use this structure.

As our own Stewart Stern said: “Structure is inevitable.” William Goldman (Butch Cassidy and the Sundance Kid, All the President’s Men, The Princess Bride, among others) says it even more strongly. He says: “Screenplays are structure.” Structure is more than simple three or four acts or plot points etc. Structure is a consistent, complex process through which your characters are led that results in their resolving their initial challenges; battling past their historical and personal limitations. Understanding myths helps writers better execute and deepen their stories. The more you know about myths, the better you will master the structure of the Hero’s Journey and utilize it to get your story concept developed and onto the page.

At TheFilmSchool’s Intensive Screenwriting Program, learn what James Cameron and others in Hollywood already know. You will come away with a deeper understanding of the structure of the Hero’s Journey. You will see character archetypes in action and avoid making caricatures or stereotypes of archetypal images. You will be introduced to enduring mythic themes that showcase the human condition. You will see where these concepts that originated from the study of myths have been utilized in film and how to apply them to your story.

Don & Lois in “Traditions”

FIRST PLACE WINNER

DON & LOIS IN “TRADITIONS”

An original screenplay by
Keith Johnson

 

FADE IN: 

EXT. STREET – EARLY EVENING

Snow floats down through the glow of the street lights landing on neighborhood built for the parents of the baby boomer generation.

Homes are decorated with large colorful traditional Christmas lights stretched across the gutters, assorted yard displays including a plastic snowman, a manger scene, and the house on the corner has a flood light that slowly changes from green to blue to red as the round plastic filter turns.

Attention is drawn to a house in the center with large window framed in clear lights. Through that window the family tree draped with silver tinsel and colored lights.

INT. HOME – EARLY EVENING

A small child closely examining a wrapped present in front of the tinseled tree.

He looks towards his mother standing in the hall and she smiles and gently shakes her head back and forth.

A 1962 calendar with all the days crossed off up until December twenty-fifth hangs next to the side window. The window is decorated with stencil art created from a can of artificial snow.

Through the window the boy watches a man walk across the room stop in front of a record player. The man picks up an album and removes the disc. 

INT. DON & LOIS’S HOME – LIVING ROOM – EARLY EVENING

Looking down at a record player, an album is placed on the spindle. DON flicks his wrist turning the dial to “Play”. The arm of the player moves over the beginning of the album, the needle drops and we hear Doris Day singing the first track of her latest holiday release. 

Don reaches for the album jacket. 

INT. DON & LOIS’S HOME – BATHROOM – EARLY EVENING 

Don is sitting on the toilet with his pants and underwear down to his knees. We can see his left hand holding the album jacket with Doris Day’s picture jerking little up and down. Don is masturbating.

A loud BANG on the bathroom door.

LOIS (O.S.)
Come on, let’s go.

DON
Jesus H. Christ.

Don drops the album cover to the floor, get’s up pulling up his pants and underwear along the way. He looks at the sink, trying to decide if he should wash his hands.

DON (CONT’D)
Ah!

 He doesn’t.

Don’s wife LOIS; dressed in her best heads towards the front door. Their son JOHNNY(5) is several steps behind carrying a tray of Christmas sugar cookies. His hand slips scattering the cookies across the hardwood floor, a few casualties.   

Lois is out the door and doesn’t notice. 

Don following his son; jumps into action and together they start the salvage process.

DON (CONT’D)
Take only the ones that are not broken.

Johnny is pulling off a hair from a cookie.

JOHNNY
Dog hair.

DON
Just blow on it. 

Don takes the two cookies from the tray that didn’t fall.

DON (CONT’D)
I’ll save these for Santa. 

He puts them in his coat pocket.

Johnny takes a cookie from the floor, gives it a hard blow before placing it back onto the tray. Then picks up another. 

The family dog rounds the corner. Don takes a broken cookie and throws it towards the dog. Don takes the remaining broken pieces and stuffs them under a coach cushion. 

Lois approaches the door just as father and son complete the project; both are standing up with guilty smiles.

LOIS
We’re always late, it’s like you do this on purpose. 

EXT. DON & LOIS’S HOME – EARLY EVENING 

As they close the door behind them you can see the dog sniffing the coach cushion where the broken piece were stashed.

A few steps off the front porch Johnny has a nasty sneeze, snot comes out. Lois stops, takes a handkerchief from her purse, and wipes her son’s nose.

LOIS
I’ll be glad when your cold is over.

INT. CAR – EARLY EVENING

The family is driving down the road. Don is whistling Que-Sara-Sara. 

LOIS
It will be fun when we get there. 

DON
Taking bets? Remember last year your mother lifted up her dress exposing her panties to everyone?

LOIS
That was my grandmother.

DON
Six of one, half a dozen of the other. 

LOIS
What does that mean? She turned into a kook, what can I say.

DON
She lifts up her dress and she has underwear that says, “Tuesday”.

LOIS
I was there Don. 

DON
Now I think about that at least once a week, it kind of gives me the creeps.
(beat)
I don’t think it even was Tuesday!

LOIS
Like your grandmother is perfect. 

DON
She’s a saint.

LOIS
Bernard. 

DON
Is that neighbor Goldberg going to be there? She’s not even a Christian. 

LOIS
Mrs. Goldberg is a nice lady, she’s almost family.

JOHNNY
She doesn’t believe in Christmas?

LOIS
She’s Jewish, she believes in a different kind of Christmas.

DON
She’ll leave when we get there, she always does. She doesn’t like me.

LOIS
She doesn’t like you because she thinks your German. 

DON
I’m Dutch. 

The car is stopped at a stoplight; a familiar car is slowing down to turn left. 

DON (CONT’D)
There’s Peterson coming home late. 

LOIS
Most likely drunk. 

DON
Probably had to give his secretary a special present. 

LOIS
Dick! 

JOHNNY
I thought Mr. Peterson’s name was Jack?

As Peterson slows down and turns everyone in both cars give big smiles and waves. 

Still stopped at the light, a family pulls up next to them, happy and singing Jingle Bells.

Don looks at them.

DON
Freaks! 

The light changes and they’re off. 

Johnny sees a man dressed in a Santa suit with his beard pulled down, leaning against a building. The man is drinking from a bottle with the bag still wrapped around it. 

JOHNNY
Santa? 

DON
I think Santa is a buddy of your uncle Bert. 

EXT. LOIS’S PARENTS HOME – EVENING

Don, Lois, and Johnny are on the front porch about to open the door. The door has a window. Everyone inside is within view.

An older woman sees them, stands up, pulls her sleeve down covering a number inked her left forearm. 

DON
I told you she was going to leave.

LOIS
Shh. 

Mrs. Goldberg passes between them as she leaves.

MRS. GOLDBERG
Merry Christmas Lois. Hello Johnny.

Mrs. Goldberg doesn’t say anything to Don, she is down the steps and starts her way across the yard towards her home.

DON
Good night Fraulein.

Mrs. Goldberg mumbles something in German.

DON (CONT’D)
(under his breath)
I thought only sailors had tattoos. 

Don turns and sees Lois giving him a dirty look.

DON (CONT’D)
What?

JOHNNY (O.S.)
Uncle Bert, dad says you know Santa. 

INT. DON & LOIS’S HOME/LIVING ROOM – EVENING 

White stuffing from the coach is scattered around the room like clumps of snow. The family dog is chomping on a Christmas cookie shaped like Santa.

FADE OUT.

Calling Seattle Directors:

Gymi Coco and Gus Mendes are making two comedic short web films (sort of PSA’s) to promote the spaying/neutering of pets, and they want your help.

“We’re seeking a director with equipment who wants to join us and make something awesome—and deliver a really important message. If you’re interested, email gus.mendes@publicis-usa.com and we’ll send you the scripts to read.”

This is a local, Seattle-based gig. It is unpaid, but a great chance to beef up your resume, or just do some good. The shoot will take 2 to 3 days.

Randy Roberts – in memoriam

Randolph (Randy) Earl Roberts
1950 – 2012

Randy Roberts died on June 5, 2012 at his home in Seattle. The cause of death was undetermined. Though Randy had been suffering from a debilitating illness, which he fought bravely and with all the strength of his being, his death was unexpected and untimely. Randy was 62 years of age.

Randy, is survived by his eldest brother Leigh Roberts, Leigh’s wife, Pam, of Olympia, WA, his aunt Ida Haugen of Seattle, as well as his cousin Chris Barton of Burien, WA. Randy leaves behind a large extended family of which he was an integral part and enjoyed very much, as well as many close friends, amongst them his best friend of over twenty six years, Lee Olsen and Lee’s husband, Stephen de Tasnady of Seattle.

Randy was the third and youngest child of Alvin and Evelyn Roberts, his brother Tom having predeceased him. Randy was born in Aberdeen, WA, and grew up in the small Grays Harbor logging community of North River. The family moved to Montesano while Randy was in high school. He graduated from Montesano High School and attended Grays Harbor College.

Randy was keenly interested in history, especially that of England and was exceptionally well educated in the English language. He seriously considered a career in education. As a young man, Randy was one of the youngest, if not the youngest, elected official in the National Education Association in the early 1970’s. Randy’s other interests led him to the then emerging area of computerized word processing and he devoted most of his working years to that field.

He worked for many years at Boeing, The University of Washington Medical Center and various Seattle law firms. Randy was appreciated by his employers for his keen organizational skills and unfaltering attention to detail. He returned to school later in life and earned the Degree of Bachelor of Fine Arts in Film and Video from the Evergreen State College in 1990.

Randy loved film. It was his passion. He was an early and devoted attendee of the Seattle International Film Festival having first attended SIFF at it’s the second annual festival, then being held at the Moore Theater. He developed nine feature and six short films/videos. His
proudest achievement was a full length film featuring his beloved and remarkable grandmother, Neva Roberts, who influenced him greatly and to whom he was very devoted.

Randy moved to Seattle in the early 1970’s and enjoyed the close knit Gay community and its landmark establishments of the time. His gregarious and loving manner made him many friends and he was frequently found dancing the night away at the many clubs, especially Shelley’s Leg. Randy had a successful career in those early days of word processing when few possessed that highly demanded skill and he abundantly shared his good fortune. Some may still remember, among many events he organized, his New Year’s Eve party at the Seattle Aquarium, the Oscar Night event as the Sisters of the American Revolution Hall on Capitol Hill and his post-performance bash for Katherine Hepburn and Dorothy Lamour when they appeared at the Fifth Avenue. Randy was a great fan of Ms. Hepburn and was especially pleased to be able to introduce his mother to her.
Randy loved to travel and though he did not have the opportunity to do much, he made the most of it. He was tickled pink to have been invited to meet Tennessee Williams while vacationing in Key West, Florida. Randy was also fond of Mexico, especially Puerto Vallarta, Nayarit and Cuernavaca, Morelos where he enjoyed the hospitality of Lee’s parents. Randy was a favorite among the expatriate crowd there and could always be counted on to liven up a party with his funny stories and easy going charm.

In 1998 Randy moved back to Montesano to provide loving long term care to his parents until their passing. Upon his father’s death, Randy moved to Long Beach, Washington with the aim of writing screenplays, especially one focused on incidents in the early homesteader days of his ancestors in the Grays Harbor area. Randy worked in the hospitality industry in Long Beach, Astoria and Cannon Beach, Oregon. He returned to Seattle in 2007 hoping to move ahead with his interest in the film industry. He successfully managed an apartment building near 23rd and John Street, called Videré, until illness forced him into early retirement.

Randy was a very genuine man who loved unconditionally and always came to the aid of others, even when he was in desperate need himself. He had an exceptional ability to care for the elderly and disadvantaged and to be there for one and all, young or old. Randy was a caretaker in a world that did not always equally take care of him. Randy was never one to hold grudges or be angry, he believed greatly in the natural goodness of people and in universal love.

Randy was loving, gregarious, irreverent, kind, selfless and generous. He touched many lives directly and indirectly; once you met Randy you would not forget him. He was a big bear of a man with a great smile, platinum blond hair, endless stories, anecdotes, a contagious laugh and boundless heart. Randy loved animals and cats in particular. Randy was fortunate to have “Bill the Cat” in the last months of his life which gave him much comfort and joy, and which has been placed in a home that would make Randy very happy. Randy is missed and grieved by many. For myself, Lee Olsen, his dearest friend of over 26 years, seven of which where spend sharing several homes, the loss is great. Randy helped me in so many ways, especially in coming out and introducing me to this remarkable, proud and loving community that comprises more than just the SGN readership.

Randy loved humanity. He was fascinated by the diversity of life stories and was very interested in oral history. He always wanted to be of help in any way he could and did so in so many ways big and small. He had a real zest for life and a lesson I take to heart every day is that it is never too late to say “I love you”, especially to yourself.

I wish to also acknowledge my husband Stephen and his love and care of Randy, especially over the last year, months and days of Randy’s life. Thank you Stephen for all you did for Randy who often told me often how much you and your care meant to him. Leigh Roberts has also been a great source of strength and comfort during this difficult time and his help and compassion are greatly appreciated.

Though he died alone, Randy truly is not alone; he lives in the hearts of many.

A memorial service will be held at a future date yet to be announced. However, please share your memories of Randy by signing the electronic memorial guest book at the Greenwood Memorial Park Funeral Home at: www.greenwoodmempark.com

donate to the Randy Roberts Memorial Fund here

Ordinary World vs. Special World

Do you have a story to tell?  New ideas, even great ones, seldom rise to the level of consciousness fully formed. They often begin as a jumble of thoughts, impressions, feelings, and images that can be as confusing and contradictory as they are inspiring and compelling.  To help you make sense of your inspiration and get it on the page, TheFilmSchool is offering Mything Link: Keys to Successful Story

Mything Link connects your story with the told and retold stories that reflect the basic emotional fabric of humanity.  In myths, fairy tales, and all enduring stories, we see the forces underlying human activity at work and the everlasting structure called the Hero’s Journey. 

THE HERO’S JOURNEY

In this primitive diagram of the Hero’s Journey, you’ll notice the term “Ordinary World.” In the language of the Hero’s Journey, “ordinary” does not mean ho-hum.  It means the day-to-day world the Hero finds him/her-self in. In WALL-E, the Ordinary World is an Earth that is one large garbage dump where nothing alive remains.  Often in fairy tales, the Ordinary World is one of naivety and hardship; e.g. Cinderella, Hansel and Gretel, Handless Maiden.  What is the Ordinary World in your story?  What is the landscape of your hero’s Ordinary World socially, psychologically, and geographically?

In Mything Link: Keys to Successful Story, you will see how the Ordinary World differs from the Special World in myth and fairy tale.  You will also learn the individual elements of the Hero’s Journey, what they look like on the screen and how to apply them.  With examples as diverse as WALL-E to MATRIX, we look at blockbuster films that employ this well-known form.

The story you writers tell is uniquely your own. If you do not follow that call to write your unique version of a story, a vacuum will have been created because that gap cannot be filled by any other.  To help you get your inspiration into a well thought out good story told well, access the keys offered by myths and fairy tales, just as great story machines like Pixar do.  Find the everlasting reiteration of unchanging principles and events inflected in your particular and unique way.