An Evening With Ray Bradbury

Ray Bradbury passed away earlier this year, but the legacy of this master of the craft of story continues.  What lessons can you glean from this talk?

Colin Marshall of OpenCulture.com has culled a list of twelve key points from the talk that could be of use to young writers.  Among them:

  • Just type any old thing that comes into your head. He recommends “word association” to break down any creative blockages, since “you don’t know what’s in you until you test it.”
  • Fall in love with movies. Preferably old ones.
  • Write with joy. In his mind, “writing is not a serious business.” If a story starts to feel like work, scrap it and start one that doesn’t. “I want you to envy me my joy,” he tells his audience.
  • Remember, with writing, what you’re looking for is just one person to come up and tell you, “I love you for what you do.” Or, failing that, you’re looking for someone to come up and tell you, “You’re not nuts like people say.”

Watch the video, and read the rest of Colin’s list at OpenCulture.com.  Do you agree with his list?  Did he miss something?  Leave a comment and let us know.

Story Rules from Pixar

Pixar pioneered digital animation, but what most people think about when they think “Pixar” is great stories.  The masterful storytelling they’ve exhibited over the course of thirteen films could never be boiled down to a short series of twitter ready guidelines, but that doesn’t mean that these story rules from Pixar story artist Emma Coats’ list aren’t valuable.

#1: You admire a character for trying more than for their successes.

#2: You gotta keep in mind what’s interesting to you as an audience, not what’s fun to do as a writer. They can be v. different.

#3: Trying for theme is important, but you won’t see what the story is actually about til you’re at the end of it. Now rewrite.

#4: Once upon a time there was ___. Every day, ___. One day ___. Because of that, ___. Because of that, ___. Until finally ___.

#5: Simplify. Focus. Combine characters. Hop over detours. You’ll feel like you’re losing valuable stuff but it sets you free.

#6: What is your character good at, comfortable with? Throw the polar opposite at them. Challenge them. How do they deal?

Read the full list at The Pixar Touch

 

 

Great American Short Screenplay Contest – WINNERS

Here’s the winners of this year’s Great American Short Screenplay Contest:

GRAND PRIZE
Ana Brown
SNOWBALL 

Second Place
Simon Hamlin
CALL ME MOM 

Third Place
Alexis Jarrett
HOSPITAL

Congratulations to the winning writers, and thank you to everyone that submitted and participated in voting for entries.

And the winner is …

Ana Brown!

Ana’s script SNOWBALL is the winner of TheFilmSchool’s 2012 Great American Short Screenplay Contest.  She will receive a FULL scholarship (worth $2,995) to our 3-Week Intensive screenwriting program.

We’ll be contacting runners up individually via email.  Thanks again to everyone who participated by submitting screenplay and to the thousands who voted.

Congratulations Ana.  We’re looking forward to helping you hone your craft even further.

Reality Not Withstanding

Reality Not Withstanding

by Kiri Callaghan

EXT. A PARK – EVENING

FADE IN ON A COUPLE WALKING BESIDE THE LAKE, WE JOIN THEM IN THE MIDDLE OF THEIR CONVERSATION.

MARK, a charming young attorney, is walking side by side with a young pink-haired woman (ELLE). They are both dressed to the nines.

MARK

…It’s certainly nothing like television. You almost never end up defending someone who’s actually innocent. I’m not saying I don’t agree everyone deserves the right to representation… I just wish it wasn’t me that had to provide it half the time.

ELLE

So why do you do it?

MARK

Paycheck is a paycheck.

ELLE

I bet that’s what hookers tell themselves.

MARK laughs.

ELLE nudges his arm with her own.

ELLE

Thank you, again, for dinner.

MARK

Was it too much?

ELLE

Are you kidding? I cleaned my plate. It was like making up for all those months in college when all I had was cup o’ noodles.

MARK

(laughing)

No, I mean, was the restaurant too much? I’m never sure if a place is too fancy for a first date.

Elle crosses her arms subconsciously as the night chill starts to set in.

ELLE

Nah, it was nice. I liked it. I don’t get to be fancy too often. Gave me an excuse to try out my new dress.

MARK

You mean HAILEY COMET: SPACE DETECTIVE doesn’t have a cocktail hour?

ELLE

Surprisingly, no. Well, not officially, anyway. For a few of my co-stars, I think it’s the last five minutes before we’re needed on set.

MARK laughs and removes his coat, draping it over her shoulders.

ELLE

You’re not what I expected, though.

MARK

What were you expecting?

ELLE

I don’t know… A weirdo?

MARK

A weirdo?

ELLE

I don’t know a lot of grown men who’d recognize me out of costume!

MARK

You have very distinctive hair.

ELLE

It’s not natural.

MARK

(feigning shock)

You’re kidding.

(Beat)

Plus, my daughter’s crazy about your show, so your face is sort of all over her room.

ELLE stops walking abruptly.

MARK

Just her room. I promise I’m not a creepy stalker.

ELLE

You have a kid.

MARK

I do have a kid.

(beat)

Is that a problem?

ELLE

…Yeah. It’s a problem.

MARK

You don’t like kids?

ELLE

I love kids.

MARK

Then where’s the problem?

ELLE

Because I’m going to have to meet her eventually.

MARK

That’s a problem?

ELLE

Yeah, that’s big fucking problem.

MARK

She’s going to love you–she already loves you.

ELLE

No, she already loves Hailey.

MARK

What?

ELLE

What’s her name?

MARK

Amanda.

ELLE

And how old is Amanda?

MARK

She just turned five.

ELLE nods and looks out toward the lake.

ELLE

Did you ever have a hero when you were a kid? Someone you idolized?

MARK

Spider-man, I guess.

ELLE

When I was a little girl, I was obsessed with The Little Mermaid. I knew the songs by heart before I knew what even half the words meant. My mom made me an Ariel costume for Halloween and I wore that stupid red wig until it was ratty. My room was covered in shells and fish and every damn piece of merchandise you could think of. So when my seventh birthday rolled around and my mother announced we were going to Disneyland, I was… ecstatic.

MARK

(unsure)

Yeah, of course…

ELLE

And we went and it was wonderful and I got to meet Ariel and I felt like my little heart was going to burst. I’d never been so happy.

(beat)

But then later I saw Ariel after a parade and I snuck away from my parents to follow her back into the cast area. Do you have any idea what happens backstage at Disneyland?

MARK

No.

ELLE

Things a seven-year-old should never see.

MARK

…are you saying you’ll do unspeakable things in front of my daughter?

ELLE

Not intentionally.

MARK

What?

ELLE

No, I mean–I lost my hero that day. Ariel wasn’t Ariel–she was just some horny college kid trying to make ends meet between semesters. It was like realizing Santa wasn’t real all over again.

ELLE turns back to face MARK.

ELLE

Mark, I’m not an intergalactic pop star.

MARK

I know that.

ELLE

Amanda doesn’t. …And I can’t be the one who breaks that to her. She deserves that suspension of disbelief. And she finds out you’re dating her hero…

MARK

…then I’m banging the mermaid.

ELLE

Yeah…

MARK

We really can’t do this, can we?

ELLE

We really can’t.

MARK

But… Can’t we just see if this even had a chance before we write it off?

ELLE

And do what? Sneak around hoping she’s going to grow out of me? She’s five, my viewer base ranges four to fourteen.

MARK

Yeah, but…

ELLE

And I’m pretty sure you don’t want to lie to your own kid.

MARK sighs, feeling defeated.

MARK

No… I really don’t. Wow. This… Really sucks.

ELLE

I’m sorry.

MARK

No, you’re right. My daughter comes first.

ELLE

You’re a good dad.

MARK

I don’t know if I’d say that. I am still imagining doing unspeakable things to her hero. Reality not withstanding.

ELLE smiles and removes his coat from her shoulders. She holds it out to him.

MARK

So what now?

ELLE

Now you head back to your car and I call my friend to come pick me up and we go back to our lives pretending tonight never happened.

MARK

…No, I don’t like that. What are my other options?

ELLE pointedly looks at the coat in her hand which MARK finally takes.

ELLE

Good night, Mark. It would have been great to meet you.

Elle starts off down one path towards what looks like the main street.

MARK

I would have had a great time tonight.

ELLE turns around and smiles softly.

ELLE

Best date I never had.

CAMERA ZOOMS UNTIL BOTH OF THEM ARE AT THE EDGE OF EITHER SIDE OF THE FRAME, HIGHLIGHTING THE EMPTY SPACE BETWEEN THEM.

ELLE and MARK share a look before ELLE breaks the tension and walks out of frame.

MARK lingers and then turns back to walk the way they came, shoulders hunched, hands shoved in his suit jacket pockets, coat tucked under one arm.

FADE OUT

BRAVE GIRLS

BRAVE GIRLS

by

Mohd Faraz

FADE IN:

INT. LIBERT CASTLE- NIGHT

It was a large and beautiful castle. It was greenery all around. The sun was shining the light in the castle.

King HAROLD (42) was walking around. He looked very upset and his son ADAM (24) standing in the seemed quite upset.

 

KING HAROLD

(to angry)

Adam, it also prevent theft in the fifth event and we had failed. We also do not know who they are?

ADAM

I’m sorry, Father. I’ll find them.

KING HAROLD

if our peoples found out about it, then they laugh at us.

INT. LIBERT MARKET- NEXT MORNING

Two girl ALICIA (21) and MARIA (22) were talking. They were beautiful. Then a man crashed into her and went immediately. His hands are a little bag fell to ground.

Alicia

(to Maria)

The man fell to the ground a little bag.

Maria took him and checked it. A smile on her face.

Maria

 (with joy)

Within it to gold coins.

ALICIA

(to surprise)

Really! Show me.

They both did not believe their eyes. They both looked very happy.

ALICIA (cONT’D)

Let’s go tell to Sophie.

INT. SOPHIE HOME- – MOMENTS LATER

They were both standing in a small house. There was one room and the other empty space where some children were playing. SOPHIE (22) is a beautiful girl comes to him. A sword hangs at her waist occurs.

ALICIA

(to Sophie)

I want to show you something.

MARIA

Go outside and talk.

Cut TO:

Libert market

Alicia gave a little bag in the hands of Sophie. Sophie within its views, her face was a little weird feeling.

SOPHIE

Where are you found it?

MARIA

Who cares. We need them.

SOPHIE

Because of this we are not to be trapped somewhere in trouble.

ALICIA

(to Sophie)

You think a lot. Nothing will happen.

Then there are some soldiers come.

#1 soldier

Please, the bag shown us.

Alicia in the hands of the soldier gave the bag. He checked it. He looked all of them. Then looked at the trench.

#1 SOLDIER

(while aloud)

Arrest them.

SOPHIE

What have we done?

#1 SOLDIER

You have stolen royal treasure?

ALICIA

What!

MARIA

It’s not ours.

Then there is prince ADAM come.

#1 SOLDIER

Prince ADAM, their got the gold coins is stolen.

ADAM

What!? Arrest them.

Soldiers proceeded to arrest them. Sophie pulled out her sword.

SOPHIE

(to prince)

We did not steal.

ADAM

(to angry)

You come with us otherwise…. Beyond that, the prince could say a word, Maria and Alicia soldiers snatched a sword from the fast.

MARIA

Don’t force us to do.

Soldiers attacked them. But they have very bravely face them. They were very efficient in fencing. All of them did not survive the further ten soldiers. Prince then proceeded. But they come to him all three.

SOPHIE

We did not steal. We stand by faith.

ADAM

You can not escape.

They fled from soldiers there for three horses.

INT. PUB- AFTERNOON

Alicia, Maria and Sophie were sitting in the dirty pub. All of them had her face cover.

MARIA

What shall we do?

SOPHIE

We have to prove our innocence.

ALICIA

How we will do that?

SOPHIE

I don’t know.

CUT TO:

INT. LIBERT KING CASTLE – AFTERNOON

General HORACE (40) have someone waiting. then there comes the prince.

General horace

My prince, do you know something?

ADAM

I got of three girls steal the gold coins.

GENERAL HORACE

Where is they?

Then there comes a soldier.

#2 soldier

Prince, their found out.

ADAM

General, take some soldiers come with me.

CUT TO BLACK:

INT. PUB- AFTERNOON

Some people come into the pub. They are sitting on a table. Alicia is the moment of attention to them.

ALICIA

(whispering)

look at these man who are sitting on the table.

Both of them looked back.

ALICIA

This the man whose hand the bag of gold fell.

SOPHIE

You sure.

MARIA

Yes. I saw him.

SOPHIE

I have an idea.

INTT. SOPHIE HOME- – AFTERNOON

Little kids were playing house. Prince was looking at them all. Then out comes a twelve year old boy ALLEN.

GENERAL HORACE

Check out the house.

ADAM

No. Hold on.

(to Allen)

Where is the girl who live here.

Allen

He is not here.

ADAM

(to general Horace)

Take the soldiers and find them quickly.

They are all out of there. Turn then to the prince.

Allen

I want to say you something.

INT. LIBERT MARKET – MOMENTS LATER

Alicia is the man of behind. He stole the man picks up a bag. The man run after, but his companions is able to catch him.

#1 man

What to do?

#2 man

Take her with you.

INT. SELVEL PLACE- JUNGLE- EVENING

Alicia was tied in a room. Then out of the room comes the sound of someone falling. Lock opens and Sophie comes in the room.

SOPHIE

You are alright.

 She is free to Alicia. They are there in other room and they would unconscious hitting one by one to their head. Then they reached the room where the royal gold. Then there come the ten robbers. A man is behind them.

MARIA

(to surprise)

This is general Horace.

GENERAL HORACE

You have to know too much.

(to robbers)

Let them kill.

But then there come to prince with a lot of soldiers. Allen is also with them.

ADAM

(to General)

I’m not sure that behind all these robberies you.

All those arrested. Prince apologized to Maria, Alicia and Sophie.

ADAM

Allen and i went to the pub. Pub owner said that you have toward the jungle. Your very good plan.

INT. LIBERT KING CASTLE – NIGHT

Maria, Alicia and Sophie was standing before the king. The king was very happy and he announced to reward them.

ADAM

(to Sophie)

we got a party tonight. you must come.

SOPHIE

(smiling)

i will come.

the end

FADE OUT:

 

 

 

Snowball

SNOWBALL

an original short screenplay by

Ana Brown

EXT. BOSTON – HOUSE – SUMMER TIME — MORNING

Three 12-year-old BOYS sit on the front stoop of a house in
a working class Boston.
Everyone’s in tank top. Everyone
has a buzz cut. It’s Boston hot. And they’re bored to tears.

RICKY, a kid with a square jaw, offers some suggestions.

RICKY
Say we ride bikes.  Around.

TIMMY, an extra short kid, smartens him up.

TIMMY
We ain’t riding bikes.  Too hot.

JOHN JUNIOR, the ring leader, shuts them both down.

JOHN JUNIOR
We do too much of that riding bikes
and whatever for no reason.

The front door opens, out walks John Junior’s mother LINDA,
a striking woman dressed in a nurses uniform.

LINDA
I don’t want any phone calls today.
I’ll be home for supper. Be good.

Ricky and Timmy watch her go, adoringly.

TIMMY
They got AC in Mass General I bet.

EXT. JOHN JUNIOR’S HOUSE — LATER

The three boys sit on the stoop.  Different positions now.
Still hot as hell.

TWO PRETTY GIRLS, JESSE and KENDAL from the neighborhood,
stop in front of the house. The girls look up at the boys.

KENDAL
Hey John Junior.

John Junior nods, working a cool response.

They all look at each other, and anywhere else, for a few
painful seconds.

Then the girls keep walking.

The front door SLAMS open and a large DOG, ZEUS, runs out on
to the porch and straight to John Junior.

John Junior’s sister, MARY, darkens the doorway in a pair of
yoga pants, ankle weights and a jog bra.

MARY
(to John Junior)
I’m trying to do my work out!

The door SLAMS shut.

MOMENTS LATER

John Junior holds a hose.
John Junior pets Zeus.
He BARKS twice.
Zeus laps at the water.
He BARKS again.

From behind the fence, a GRUFF MALE VOICE coated in a thick
BOSTON accent.

MR. SULLIVAN (O.S.)
John Junior put that dog on a chain
and shut it up.

JOHN JUNIOR

Yes sir.

RICKY
Yes sir Mr. Sullivan!

EXT. JOHN JUNIOR’S HOUSE — LATER

The boys are all repositioned on the front stoop.

JOHN JUNIOR
Old man Sully ‘come over here and
we’re dead.

Suddenly, John Junior looks quickly around the porch,
something’s missing.

EXT.

THE NEIGHBORHOOD — MOMENTS LATER

John Junior, Timmy and Ricky all on small bikes ridding around
the neighborhood, SHOUTING.

TIMMY

Zeus!

JOHN JUNIOR

Zeus!

Up ahead, an ice cream truck idles by the side of the road.
Jesse and Kendal stand at the back of a LINE OF NEIGHBORHOOD
KIDS.

John Junior spots Kendal and Jesse and gestures for everyone
to slow and zip it.

The boys coast silently past the girls.
The girls watch them float by.

The boys stare dead ahead, casual..then round the corner…

And start pedaling furiously..

They fly down the street on their bikes, SHOUTING for the
dog.

EXT. JOHN JUNIOR’S HOUSE — LATER

Defeated, the boys roll their bikes towards the house.

Zeus is on the porch.

Ricky dumps his bike and runs up the steps.
He stops next to Zeus.

He’s got something in his mouth..

RICKY
(smiling to John Junior)
You’re dead!

INSERT: In Zeus’s mouth, a dirty, dead, WHITE RABBIT.

INT. BATHROOM — MOMENTS LATER

The three boys are crowded into a small bathroom, hovering
over a sink, washing the dead rabbit, GIGGLING.

BANG BANG BANG!

MARY (O.S.)
John Junior get the fuck out of the
bathroom. I need to shave my legs.

The boys try to contain their laughter. John Junior hits
Timmy. Timmy hits Ricky. Ricky hits Timmy back.

The door handle jiggles.

The boys muffle hysterical laughter.

MARY (O.S.) (CONT’D)
John Junior! I know you boys are
doing something. I’m calling mom!

Ricky GAGS, holding the rabbit, as John points a pink hair
dryer at it. RRRRRRRRRRRRRRRRRR. Timmy watches, roaring.

Mary stands outside the door listening to the hair dryer.
She SCREAMS at the door.

MARY (CONT’D)
You don’t got no hair John Junior!
That’s it! John Junior that’s it!

Mary kicks the door twice and storms off.

EXT. JOHN JUNIOR’S HOUSE — LATER

The boys stand outside the house on the sidewalk.
is holding a paper bag, looking around, nervous.

John Junior

TIMMY
I’m not doing it.

No.

JOHN JUNIOR

Do it!

John Junior holds up the bag.

EXT. ALLEY WAY / BACKYARD — LATER

CRACKLING branches.

Timmy squeezes past a bush and a bunch of trash cans.

Across the yard he spots an open, empty rabbit cage, on a
low picnic table. He scurries quickly across the lawn, the
paper bag tucked under his arm.

MOMENTS LATER

Timmy sets the dead super fluffy rabbit in the cage.

The rabbit falls over.

He rights it.

The rabbit falls over again.

TIMMY
(whispers)
Come on. You can’t look dead yet.

EXT. / INT. JOHN JUNIOR’S HOUSE – LATER

Ricky holds a lighter to the edge of the paper bag.

The bag floats to the pavement. The boys watch it burn.

John Junior stomps it out.

LATER

The boys all sit on the porch.

Kendal and Jesse stop in front of the house.

JESSE
We had an idea. Because we’re bored.

KENDAL
For a dollar. One of you can feel
our boobs.

Ricky and Timmy look to John Junior for guidance.
Everyone waits. Sweat beads on the boy’s foreheads.

JOHN JUNIOR
A dollar?

INT. JOHN JUNIOR’S HOUSE – MOMENTS LATER

…BAM!

A kitchen drawer flies open. Knickknacks scatter in every
direction across the linoleum.

Timmy is ripping out couch cushions.

Ricky swings open the front hall closet and starts riffling
through coat pockets. He hits on something and pulls out..

EXT. JOHN JUNIOR’S HOUSE – MOMENTS LATER

..A FIVE DOLLAR BILL pulled taught between a set of grubby
twelve year old fingers.

JOHN JUNIOR
Do you have change?

JESSE
No.

JOHN JUNIOR
Then we’re gonna have to work
something out.

Just then, from behind the fence, a CHIRP from a little GIRL.

LITTLE GIRL (O.S.)
Daddy look. It’s Snow Ball! He’s
back, and he smells like pie!

The boys freeze.

Kendal keeps working her agenda..

KENDAL
Fine.  You can also touch my butt.

But the boys can barely hear her, consumed with what is
unfolding just on the other side of the fence.

MR. SULLIVAN (O.S.)
Some one is dead! Dead!

A LOUD CRASH next door. The boys jump. The five dollar
bill curls into John Junior’s clenched fist.

KENDAL

So?

Just then, Mary steps out onto the porch. She clocks the
boys. The girls. No one’s moving. Something’s up.

MARY

What?

From the other side of the fence..

MR. SULLIVAN (O.S.)
Somebody digs up a dead rabbit and
gives it a perm! Who does that?!

John Junior glances at Zeus.

So does Mary.

MUDDY PAWS.

MARY
Five dollars. Or I’m telling Mr.
Sully and Mom.

John Junior slowly hands Mary the money.
Ricky and Timmy watch, crestfallen.

MARY (CONT’D)
The house looks like a bomb went
off. Get inside and clean it up.
(to the girls)
Go home.

LATER

The boys vacuuming. Putting couches back together.
Arranging pillows. Righting the fan.

INT. DINNING ROOM — LATER

The three boys, Mary, and Linda sit around the table eating
dinner.

LINDA
House looks nice.
Someone straighten up?

TIMMY
We did Ms. O’Mahony.

LINDA
Good boys.  How come I got a call?

MARY
‘Cause they were in the bathroom.
Using my hair dryer on something.

JOHN JUNIOR
Like a fan type of thing mom.

LINDA
(to Mary)
You gave them that five for ice cream
right?

Mary is silent.

LINDA (CONT’D)
Mary.  Well.  Give it to them already.

EXT. STREET — LATER

The boys run toward an ice cream truck.
Zeus runs next to them. The sun sets behind the truck.

EXT. JOHN JUNIOR’S HOUSE – EVENING

The boys sit on the stoop licking ice cream cones.

TIMMY
It’s like it didn’t make a difference
the sun went down.

RICKY
Everything got hot, and remembered.

TIMMY
Did you hear what she said?

JOHN JUNIOR
Boobs and butt.

TIMMY

Man.

JOHN JUNIOR

Yeah.

RICKY
You wanna do all that?

JOHN JUNIOR
I don’t really wanna do something
for no reason. You know?

TIMMY
Might be cool someday though.

JOHN JUNIOR
Yeah.  Someday.

The boys lick their ice cream cones.

FADE OUT

The Author’s Game

 1

The Author’s Game
by
J. Kaczmarek

 

FADE IN:

INT. A CASTLE TURRET, PALE TAPESTRIES LINE THE WALLS

ROMEO, a young man, late teens, dressed in pale medieval-style clothing gazes out a window.  Across from him sitting at a table set with a game of chess is an older man, late 30s/early 40s, SHAKESPEARE, also dressed in pale, medieval-style clothing.  A second chair opposite SHAKESPEARE is empty. 

ROMEO

That wasn’t the way it was supposed to end.

SHAKESPEARE

Don’t be ridiculous, of course it was, it was a tragedy not a comedy.  Now come, sit. (motions to the empty chair) Let’s play a nice game of chess shall we?  What better way to wile away this time in purgatory?

ROMEO

Purgatory? (he stares at Shakespeare in disbelief, then down at his hands, open as though they held Juliet only moments ago) My beloved Juliet…

SHAKESPEARE

Yes, yes, so unfair, very tragic. (deliberate pause)  Now that we’ve had ourselves a moment of silence, why not occupy the time with something a bit more convivial, have a seat. 

(ROMEO slowly sits down, as if in a daze)

SHAKESPEARE

There now, that’s better. (pause, observes ROMEO’S lack of interest and sighs)  I’ll start us off. (looks to the pieces, sighs) Blast it all.. you’re white; it’s your first move.

2

(ROMEO looks at the chess board, but with an apparent lack of interest.  He picks up a pawn and moves it toward his opponent.  Standing, he gazes out a nearby window.)

 SHAKESPEARE 

(giddy, claps his hands together)  Lovely!  Its begun!  Now, let me see, ah yes.  (he moves his piece to meet ROMEO’S and looks at ROMEO egregiously, notices ROMEO’s continuing lack of interest and sighs)  She thought you were dead you know.

ROMEO

(clenches his fists, softly, mournfully)  She didn’t have to die.

SHAKESPEARE

 No, No, she didn’t.  (looks forlornly to the chess board)  All right, I’ll bite, how would you have done it?  You’re the prodigy now.  How would you have ended things?

ROMEO

 (turns to face SHAKESPEARE)  She wouldn’t have died.

SHAKESPEARE

A bit obvious, but go on.

ROMEO

The messenger would have found me.  I would have been forewarned of her plan and waited for her.  (he sits back down in the chair)

SHAKESPEARE

 And this is the ending by the great Romeo?

3

ROMEO 

(defiantly) Yes.

SHAKESPEARE 

(motions to the game) It’s your move.  (stands, faces an imaginary audience, with exaggerated feeling) 

Go Hence to have more talk of these glad things;                                                           some shall be joyous and some left bitter.                                                                           For never was a story more apropos,                                                                                than this of Juliet and her Romeo. 

(bows flamboyantly, sits back down)  Lacks a certain something, wouldn’t you agree?  Oh, your knight is out and about, now that is original!

ROMEO

What care have you that we live or die?

SHAKESPEARE

 What care have I?  What care have I?  Oh it’s not about me dear boy.  No.  (moves his piece)  Its about the audience.  

ROMEO 

The audience? (feign chuckle) What are they to the actors in a play?  We stand before them in all our splendor.  The come to worship us, to applaud us.  

SHAKESPEARE

Worship you?  A fifteen year old boy?  They laugh at you fair Romeo, they pity you, but most of all they learn from you.  (pause)  Your move.  Your bishop appears to be in a bit of trouble.  Tell me Romeo, had you escaped, what would become of your families?  Would the err in their ways have been so apparent?

ROMEO

 No, (pause) No, I suppose not.  (moves his chess piece and stands) 

4

SHAKESPEARE

 (clasps his hands together, focused on the pieces, takes Romeo’s knight)  Ah, such is the sacrifice that reaps its own reward.  (sits back and smiles)

ROMEO

 (glances at the board and turns away)  Tell me author, what would you sacrifice?  What of your heart’s desire would you sacrifice so that others might find redemption?  

SHAKESPEARE

Dear Romeo, mine is not to sacrifice, but to imply a desired comeuppance!  

(ROMEO turns to face SHAKESPEARE.  Makes his move on the board.)

SHAKESPEARE

 Ah, protecting the Queen, how chivalrous. Would that you could have protected your beloved Juliet as easily.

ROMEO

Would that you had a love such as mine…

SHAKESPEARE

Touche. (moves his chess piece) Love.  You call her your love, but I made her, I created her, how can you even fathom the potential of her true love?  (stands, looking out the window)

ROMEO

I played my part.

SHAKESPEARE

Yes, you played your part, as did everyone else.  That’s what we all do, isn’t it?  We play our part?  

ROMEO

(for the first time, ROMEO seems interested to play the game and moves his chess piece)  What part is it that you play?

5

SHAKESPEARE

(laughing, turns to face ROMEO)  I am the puppet master of course, I am the author, I am the true pretender, I make up words and watch you dance.  

ROMEO

You find enjoyment in this?

SHAKESPEARE

 Not enjoyment dear boy, it’s what I do.  It is the part I play, weren’t you listening? (bothered, sits back down at the table and studies the game)

ROMEO

If you are the puppet master, then take me back.  You said yourself, we are in purgatory. Take me back to my true love and make amends.  Only then will you find your audience with St. Peter.  

SHAKESPEARE

I can’t go back, stupid boy. (to himself) No one can go back.  

ROMEO

(pause)  Then why are we here?

SHAKESPEARE

 I don’t know. To play a game.  (makes his move, sits back down) Check, you have but one move until I take your king.  

ROMEO

 (Considering) Maybe that’s it.  Maybe you don’t want to go back.  

SHAKESPEARE

 Everyone has regrets.  We can’t change the past.

ROMEO

 (moves his piece)  No, but the author can change his story.

SHAKESPEARE

Juliet was never real.  Juliet was a character in a play.  

6

ROMEO

Juliet was real to me.  (pause, barely audible) Perhaps she was real to you as well.  Checkmate. 

 

EXT. THE CLOUDS

 

PUCK

(PUCK is a fairy with wings in a jester’s cap, sitting atop a cloud)                                      The time has come to end this interlude.                                                                          In truth alone is where life may conclude.                                                                             One final thought appends this denouement.                                                                 That for Shakespeare an actor’s role was but a pawn.                                                    Their lives on stage effectuate one thing.                                                                      To let us hear an author’s true heart sing.  

FADE OUT

END SCENE

 

LEAF

INT. BOYS ROOM- JUST BEFORE SUNRISE

WILL(9) awakes to a light being switched on and off. Will

lies with a book on his chest, in his bed. He looks to the

door of his bedroom and sees the figure of a man standing in

the doorway. The lights are switched on and off several

times. GREG(39, a bit scruffy), standing in the doorway,

tries to give Will a smile but he can’t seem to make one.

Greg walks away. Will sits up and gets out of bed. He

sleepily walks out of his room.

INT. KITCHEN- JUST BEFORE SUNRISE

Will sits at the dinning table as Greg fixes him a bowl of

cereal. Greg holds up a cereal box and shakes it for him to

see. Will shakes his head. Greg lifts up another box and

shakes it. Will nods his head in approval. Greg places the

bowl in front of Will, who digs in.

INT. BATHROOM- SUNRISE

Greg is looking at himself in the mirror while shaving. Will

can barely see over the counter but is watching the

reflection of Greg in the mirror.

INT. GREG’S BED ROOM- JUST AFTER DAY BREAK

Will and Greg are putting on two piece suits at the same

time. Will is watching as Greg makes a tie around his own

neck. Will struggles with his clip on tie. Greg smiles and

helps him fix it.

INT. CAR- MORNING

Will is sitting in the back seat of Greg’s car. The trees on

the outside are running across the his face as he stares out

the window. He follows the the row of trees as they go by.

EXT. CEMETERY- MORNING

Will opens the car door and gently slides out of the car. He

waits patiently till Greg comes around the side of the car

and takes his hand. Greg leads him to a rectangular hole,

that people in black have gathered around.

Will stands at the edge of the hole and stares down at a

coffin. He looks up at Greg questioningly. Greg is looking

into the hole. Greg looks lost in his eyes.

EXT. BACKYARD- NOON

Will, still in his suit, is swinging on a play set. He

watches as adults gather round in groups and talk. Some of

them laugh, some cry. Some of them even come up to him to

1

pat his shoulder or ruffle his hair like a little dog.

Will notices a toddler who can barely even lift his own

legs, let alone a shovel. The toddler is trying its hardest

to dig. Will watches with mild interest.

EXT. BOYS ROOM (NEXT DAY)- RIGHT BEFORE DAY BREAK

Will is asleep in his bed. A book is left on his chest. He

sluggishly gets up and puts on his clothes. He tries to put

on his socks while standing up but has trouble.

INT. KITCHEN- RIGHT BEFORE DAY BREAK

Will struggles to make himself a bowl of cereal but makes

more of mess.

INT. THE TOOL SHED- RIGHT BEFORE DAY BREAK

Will enters shed, flips on switch, and grabs a shovel.

EXT. OUTDOOR TRAIL- DAY BREAK

Will walks along a path. He’s holding a lunch box and a

shovel while walking among some flowers, and small hills

with scattered trees.

EXT. FOREST ENTRANCE- DAY BREAK

Will pauses to peer in. He hesitantly enters the forest

slowly.

EXT. FOREST- MORNING

Will walks for a while on a path that’s over grown. He finds

a nice clearing off the path and down a ridge. He throws

down his shovel next to a big tree and starts to roll up his

sleeves.

Will starts to dig and after the third time he breaks

ground, he has a sharp pain and immediately puts his finger

to his mouth. He takes a look at his finger. There is a

splinter. He tries to get it out but can’t. He continues

digging, regardless.

EXT. FOREST- MID DAY

Will has stopped digging and is sitting on a log. He pulls

out his lunch box and starts to enjoy the PBJ and juice box

he packed. He pulls out a thing of string cheese and has fun

pulling pieces apart. Will sees a slug on the lug and places

a piece of cheese int front of it. It slowly moves around

the cheese.

2

EXT. FOREST- SUNSET

Will is digging but is struggling. He notices that the sun

is about to go down. He packs up things for the day and

starts his walk home.

INT. KITCHEN- EVENING

Greg is making dinner when Will walks in. Greg looks at Will

like he wants something. Will looks down at himself and

realizes he has tracked mud inside. He gives Greg a smile.

Greg not amused. Will goes back outside and takes off muddy

shoes. He removes his jacket and enters again.

Will goes to the sink and washes his hands. He sets the

plates as Greg brings the food to the table. They eat a

silent dinner.

Will finishes and uses a small stepping stool to put his

dishes in the sink. He runs some water on them. He turns off

the water and walks out of the kitchen.

EXT. THE TOOL SHED- EVENING

Greg is walking with a bag of trash in hand. He notices

small, very muddy, tacks leading from the shed to the house.

INT. THE TOOL SHED- EVENING

Greg enters the tool shed. He stuffs a garbage bag inside

the trash can. He looks at the muddy shovel.

INT. WILLS ROOM- EVENING

Will is in his bed reading. The light starts flashing off

and on. Will looks up to the door where Greg is standing.

The Greg pauses as if deciding whether or not to enter the

room. He turns of the light and cracks the door closed

instead.

FADE TO BLACK

INT. WILL ROOM- RIGHT BEFORE DAY BREAK

Will wakes up. He’s moving a little slower than usual. He

sits up and stops. Every second is a fight against laying

back down.

INT. KITCHEN- RIGHT BEFORE DAY BREAK

Greg is wearing a cooking apron when Will enters the

kitchen. With an oven mitt, Greg motions for Will to sit at

the table. There is already a plate and glass of OJ so he

sits in front of it. Greg slides two eggs, 2 slices of

3

bacon, and 2 slices of toast on the plate. Will digs in.

Greg drinks coffee and reads the newspaper as Will eats.

Will flinches when he picks up his fork. Greg notices sets

his coffee down to grabs the boys hand. Greg inspects the

finger and tries to push the splinter out. Will withdraws

his hand in pain and shakes his head at Greg. Greg gives him

a look but it doesn’t work. Greg gives up and leaves.

Will puts his plate in the sink and starts to rinse it off.

Greg in and shoos him away. Will starts to leave but Greg

grabs his shoulder and points at something. Will looks over

and sees his lunch box with a pair of gloves next to them.

He struggles to grab it off the counter, that is almost too

high for him. He runs out the door.

EXT. OUTDOOR TRAIL- DAY BREAK

Will is moving a little faster than the day before, as if he

has more energy.

EXT. THE FOREST ENTRANCE- DAY BREAK

Will enters the forest, this time without hesitation.

EXT. FOREST DIG SITE- MORNING

Will has returned to the spot where he started digging. He

sets his lunchbox down and gets right back to work with an

over-sized pair of gloves. They look like female gloves.

EXT. FOREST DIG SITE- MID DAY

Will takes his lunch break inside the hole. He tries to use

the shovel in one hand and eat his sandwich with his other

hand. Will realizes the shovel is useless with one hand so

he throws the shovel down. He pulls his hand out of his

glove and looks at the splinter. He takes bites from his

sandwich as he stares at the splinter. The boy grabs dirt

with his empty hand and casually scoops handfuls and tosses

them to the side.

EXT. FOREST- AFTERNOON

The hole is getting deeper. Only the top of the boys head is

seen bobbing up and down.

EXT. FOREST TRAIL- AFTERNOON

ALEX(13, the one in charge), TWIN BROTHERS (11/11), and

HELEN (8, Alex’s Sister) are on bikes riding through the

forest. They speed by the ridge just above where Will is

digging the hole. Helen (with a helmet on) is struggling

behind. She sees something and falls off her bike. She

4

stands up and looks down where Will is digging. The other

kids come back to see what’s going on. Alex picks up Helen’s

bike and places it in front of her to grab. She points down

at the hole. They all look to see what appears to be dirt

being flung out of a hole by itself.

EXT. FOREST DIG SITE- AFTERNOON

The kids approach the edge. They stare down at Will who is

rhythmically shoveling dirt, throwing dirt, shoveling dirt,

throwing dirt.

Alex yells down at Will but he doesn’t hear or stop. The

girl nudges Alex to stop. One of the twins hands the other a

rock. That twin throws a rock down at him. Helen punches the

twin who threw the rock.

Will looks up through the dust to see four faces looking

down at him.

Will throws the shovel up and crawls out of the hole. He

takes off his gloves. They stare at him. Helen waves but

tries to hide it from the other kids. Will gives an awkward

grin but dares not wave back. Alex and the twins stare at

Will then the hole. Will looks over his shoulder back at the

hole and gives them a unsure grin. Alex takes a moment to

look at the twins who shrug at him. Alex motions for them to

leave. Will watches as they get back on their backs and ride

away. He sighs in relief before getting back in the hole.

CUT TO:

EXT. FOREST- LATE AFTERNOON

Greg stumbles through the forest and happens to find the

site but watches from a distance. He notices Will seems to

be having trouble digging. Like the ground is too hard.

INT. KITCHEN- RIGHT BEFORE DAY BREAK

Again Greg is up cooking when will enters the kitchen. Will

sits down to find pancakes at the table.

Will goes to put on his muddy boots and sees a pick axe

laying next to them. He picks it up and inspects it. He

looks up to see Greg watching. Greg tips his coffee mug to

Will, giving him the okay. Will grins and takes off.

EXT. FOREST DIG SITE- MORNING

Will tosses his lunch box to the side, puts on his gloves,

and goes straight to work with the pick axe. He starts to

lift rocks out of the hole.

5

EXT. FOREST DIG SITE- AFTERNOON

Will is having trouble lifting a rock out of the hole when

several arms come from no where to help lift it out. It’s

Alex again with the twins, and Helen. Will hopes the don’t

decide to come back and bury him alive.

Will climbs out of the hole and nods at them for thanks.

Alex pats Will on the back which sends Will sprawling. The

twins mimic the same gesture and begin to pat Will on the

back. Then they take turn to one another and start patting

the other on the back. They turn to pat Alex but he slaps

their hands away and grabs the shovel. Alex puts the tip of

the shovel to his head like he’s saluting, then jumps into

the hole. Alex hits hard ground on the first strike. Will

hands him the pick axe. Alex stares at the pick axe with a

grin from ear to ear.

Will looks over to see that the twins have already started

breaking up some of the larger rocks, and are moving them to

a pile away from the hole. Will notices his watch. He grabs

his lunch box and starts to devour his food. He watches the

twins move and break the rocks.

Helen walks up to Will and puts on a head light strapped to

an elastic band. She turns it to show Will. Will is amazed.

She turns off the light and puts it on Will’s head. He gives

her a hug without even thinking about it. Afraid the others

have seen she slugs him on the shoulder. But by his reaction

it was too hard. Helen gives an apology smile then takes off

before things get more awkward.

EXT. FOREST DIG SITE- LATE AFTERNOON

Will and Alex are taking turns digging while the others are

breaking up the rocks and carrying them over to the pile.

EXT. FOREST DIG SITE- JUST AFTER SUNSET

Eventually, they realize its late and decide to call it a

day. They all wave goodbye. Will stays a bit longer to look

over everything. He looks down at the hole and is impressed

to see how far they have come. It’s darker than usual so

Will uses the head light to guide his way home. Lightning

bugs have started to show.

INT. WILLS- EVENING

Will is asleep with the book on his chest. The rain is

trickling down bedroom window outside. Greg comes in, takes

the book, and places it back on the shelf. He turns the

light off and cracks the door.

INT. WILLS- AFTER DAY BREAK

6

Will slowly stirs and looks over at the rain hitting the

window. He stares at the gloomy light for a moment then

shoots out of bed. He throws his clothes on as quick as

possible.

INT. KITCHEN- MORNING

Greg is drinking coffee and reading the paper when Will

enters the room. Greg starts to put food on the table but

Will just runs straight out the door with his rain boots and

rain coat. Greg watches Will till he disappears. Greg looks

down at the food and shrugs. He sits down and starts pouring

syrup on the waffle.

EXT. FOREST DIG SITE- LATE MORNING

Will sprints to the dig site only to find the hole is

filling with water. He can see that the sides surrounding

the hole have caved in. He furiously begins to try and fish

the water out with his hands. Everything he tries doesn’t

seem to work. He runs off in the direction of his house.

INT. THE TOOL SHED- LATE MORNING

Will enters the shed out of the rain. He goes straight for

the bucket, grabs it, and heads straight back out.

EXT. FOREST DIG SITE- MID DAY

Will is desperately trying to use the bucket to get the

water out but its no use. The rain is so heavy that water

keeps filling up the hole.

Will is sitting under the tree staring at the hole when Alex

and his entourage show up. Will marches up to them, points

to his watch, then throws up his arms. Alex shrugs and

points up to the rain. They all look up at the rain. Will

stares at the Alex. Alex pick up the bucket that Will was

using earlier and motions to give it to Will. Will takes the

bucket, places it on the ground, and kicks it really hard

sending the bucket flying. Will marches off back home. Alex

looks at the twins who shrug back at him. Helen looks sad as

she watches Will walk away. They get their bikes and head

home.

INT. BOYS ROOM- EVENING

Will sits at his bedroom window with his head resting on his

crossed arms. He watches the rain. He does not look happy.

EXT. FOREST TRAIL- JUST AFTER DAY BREAK

The rain has stopped but the forest is still wet. Some of

the branches are still dripping as Will walks to the dig

7

site. He’s walking very slow, almost as if he doesn’t want

to go.

EXT. FOREST DIG SITE- MORNING

Will reaches the ridge that looks down at the dig site and

sees there are already people down there working. The closer

he gets, he sees there are more than usual. They are in a

line passing to each other what appears to be buckets of

mud. Helen sees him, grabs his hand, and rushes him over to

the hole. He recognizes some faces from school. They wave at

him but he has no idea why. He hesitantly waves back.

When he gets to the hole he can’t believe what he sees. Alex

is in the hole, covered in mud. The hole looks as deep as

before but there is now a ladder, so maybe even deeper. Alex

notices Will, and smiles up at him. He climbs out of the

hole and hands Will the bucket. Will grins and climbs down

the ladder. Every one is busy working.

EXT. FOREST DIG SITE- LATE AFTERNOON

Everyone is finishing up and getting ready to head home.

Will makes sure to shake everyone’s hand who helped out.

INT. KITCHEN- EVENING

Will is drawing something on a big piece of draft paper, in

between bites of food. He stares at his drawings while

reaching for a glass of milk with one hand. Greg is watching

the news as they eat. Greg sneaks glances at Will and tries

to hide his amusement.

EXT. FOREST DIG SITE- JUST BEFORE SUN RISE

Will arrives at the dig site and sets up a make shift

drafting board. Eventually, all the kids from yesterday

start trickling in. Will grabs Alex and shows him some

layouts on the draft board. They are so involved with what

they’re doing they don’t notice there are kids in

construction style uniforms with hard hats, walking by them.

Alex notices and nudges Will who is still distracted but

looks up. They both just stare at the kids that are dressed

up.

CUT TO:

EXT. FOREST DIG SITE- MONTAGE

Will and Alex are wearing construction style wear and are

arguing over something on the draft board. Will is pointing

to a place on the board. Alex is shaking his head and

pointing to a different place. Will shakes his head in

return. Will continually points at his spot without

8

stopping. Alex tries to point but Will quickly slaps his

hand away. Alex immediately pulls his slapped hand back to

his body in shock. He stares at Will while cradling his hurt

hand. Alex snaps out of it and slaps Will in the back of the

head.

Alex is directing a small group of construction workers,

while Will goes around checking on other workers. Will comes

to Helen, who is wearing a helmet slightly too big. They

grin at each other. She gives him a fun loving punch but

again a little too hard. Will looks at her with a confused

“why” face and walks off. She feels horrible but doesn’t

know how to express it.

Will and Alex are talking, when a construction worker lifts

his head up from the ladder leading to the hole. He motions

them to come quickly. They dash to the hole and the

construction worker points down into the dark hole. They

look and see how far it’s gotten. There are now two ladders

stacked on top of one another. Will and Alex look at each

other.

INT. BOTTOM OF THE HOLE- AFTERNOON (MONTAGE)

Will and Alex are at the bottom of the hole. Will is on one

knee when he smashes his fist against the hard rock. He

looks puzzled.

EXT. FOREST DIG SITE- AFTERNOON (MONTAGE)

Alex is waving for everybody to step back from the hole.

Kids are running to hide behind anything the can find. As

soon as he’s done warning everybody, Alex falls to the

ground. He pulls a pair of safety goggles over his eyes.

Alex looks up to see that Will is still standing. Alex grabs

Will and yanks him down right away. Suddenly the hole

explodes. The explosion is so huge dust and debris covers

everyone and everything. When the cloud clears some of the

kids start cheering and jumping. Will and Alex grab one

another and start laughing in each others face like mad men.

The explosion left a slope leading to the hole.

EXT. FOREST DIG SITE- MORNING (NEXT DAY)

Will shows up to the forest and runs into three PICKETERS.

One picketer has an arm in a sling, one has his head wrapped

up, and the third is just fine. They all have signs that

read stuff like: “Why are we digging?!” “When is enough

enough?!” or “Who’s this hole really for?!” Will slows his

approach to read them all as they march in a circle. He

walks by, staring at them.

Will walks over to Helen who is sitting under the big tree.

She has one arm in a sling and a patch over her eye. She

9

waves as he comes closer. Will looks worried. She punches

him in the arm to show him its okay but again she has hit

too hard.

The next morning Will approaches the dig site there are a

few more picketers. There are also now kids playing security

guards. Some of them are talking into their sleeves, while

some are hidden in the forest.

Everybody is working when it starts to rain. Immediately,

Alex twirls his finger in the air, giving the motion for

“wrap it up.” A giant tarp is hoisted up over the hole so

rain rolls right off. Everyone runs underneath it. Some

water comes running down the hill, but runs into a trench

that leads the water to go around the hole. Everyone,

huddled together, look at each other with grins. Alex laughs

and slaps Will on the back sending him sprawling to the

ground. The twins mimic Alex by patting one another on the

back. Will stares up at the giant tree that he sat under the

last time it rained.

CUT TO:

The construction workers are hoisting planks of wood up into

the giant tree with cranes like one would find at a

construction site. It is close to being complete. Will steps

to a large window in the tree house. He overlooks the

construction workers taking the shaft elevator down to the

bottom of the hole. He notices that more than half of the

crew are now going on strike. He lifts his coffee mug full

of apple juice to his lips. He looks concerned

At night there is a SECURITY GUARD patrolling the dig site.

He comes across some GRAFFITI ARTIST tagging some of the

construction equipment. He talks into his walkie talky and

chases them off the premises.

It is pouring when Will comes to the dig site the next day.

Everybody is on strike, even the security guards, even Alex.

They stop circling and make a wall to block him. Will stops

and looks at everyone. He walks half way back up the hill

and sits down. Will and the picketers just stare at each

other.

Helen, still with her arm in a sling, approaches. She starts

to walk down the hill. She stops where Will is sitting. She

looks at the picketers, grabs Will’s hand, and drags him to

the picketers. Will gives an awkward wave and smile as Helen

pulls him through the wall of picketers. Once on the other

side Helen and Will start moving dirt as starting a normal

day at work. Everybody looks at each other and even though

they grumble, the construction workers start digging, the

security guards secure the perimeter, and the the picketers

start circling.

10

INT. WILLS ROOM- RIGHT BEFORE DAY BREAK

Will wakes up without a problem. He gets ready, but

struggles with putting his socks on while standing up.

INT. KITCHEN- RIGHT BEFORE DAY BREAK

Will is sitting in front of his empty plate and a tall glass

of milk. Greg places two biscuits and dumps gravy over the

them. Will is grinning from ear to ear because it’s his

favorite.

After the meal Will leaves and Greg starts cleaning up. He

looks over and notices that Will’s lunch box is still

sitting on the counter.

EXT. FOREST DIG SITE- JUST AFTER DAY BREAK

Will waves at the picketers. They wave back and let him

through. As Will walks to the elevator cart he waves to the

Alex in the tree house.

Alex tips his coffee mug down to him in acknowledgment. Will

walks over to the the shaft elevator where Helen is putting

on mining gear. They nod to each other as they step on the

cart with a few other workers and close the cart door. Will

puts on his goggles and turns to Helen. She reaches over and

turns on Wills head light. Will grins in thanks.

Greg walks down to where he can see the site. He is amazed

at the changes. There are now all sorts of construction

equipment and kids from the neighborhood dressed up. All of

a sudden the forest comes to life. He is surrounded by THREE

KIDS in camouflage. Two, the twins, whom descend down from

above him on zip lines. They take the lunch box and escort

him off the premises. Greg confused leaves without much

resistance.

EXT. FOREST DIG SITE- MID DAY

The elevator cart rises to the top of the hole. Will and the

little sister step out laughing. They are covered in dirt.

The whole construction crew is having a lunch break, even

the picketers join in.

INT. TREE HOUSE -FOREST DIG SITE- LATE AFTERNOON

Will and Alex are looking at some plans on the draft board

in the tree house. They are not agreeing on something and

again are each pointing to something on the draft board. A

construction worker busts in and makes urgent gestures to

follow him.

INT. BOTTOM OF THE HOLE- LATE AFTERNOON

11

Will is on one knee. He feels the the solid ground. He takes

a moment to think before he stands up. He looks at everybody

in the pit and sees how tired and dirty every body is. Will

takes off his glove and holds his hand up to the light from

his head lamp. There is only dead skin where the splinter

was. He turns to Alex and nods. Alex goes to a phone that is

mounted on the wall and talks into the receiver. Seconds

later the sound of the shaft elevator descending is heard.

Alex and everyone stare at where the elevator stops with

intensity. Will squats to one knee with his back to the

elevator shaft. He feels the hard rock with his bare hand.

Alex and the others watch the as the elevator reaches the

bottom.

A WORKER opens the elevator gate and exits holding a tin

lunchbox big enough to hold a book. The worker holds it as

if it is fragile and carefully hands it to Alex. Alex takes

it and looks at the G.I. Joe design that covers it. He

slowly hands it over the shoulder of Will who still has his

back turned. Will takes a moment to open it to double check

it’s contents. Alex and the others try to look over Wills

shoulder but no one gets good look to see what’s inside.

Will closes it and places it on the solid ground. Will his

glove less hand with dirt and ceremonially pours it over the

tin lunch box. The dirt hides most of the tin lunchbox. Will

stands and simply turns to walk to the shaft elevator. Alex,

confused, tries to stop Will. Will turns to Alex and tries

to smile. Alex can see the pain in Will’s eyes and lets go.

Will walks past Alex and gets on the lift by himself.

Everyone watches as the elevator take him up.

INT. ELEVATOR- SUNSET

As Will rides the shaft elevator up a series of flashes hit

his face from the tunnel lights.

CUT TO:

INT. WILLS ROOM- EVENING (FLASH BACK)

Will is in bed under the covers while his MOTHER(42) lies

next him showing him a giant picture book about

archeologist. He runs his fingers on the book from left to

right. His mother puts the book away and kisses Will

goodnight. Before she can get too far Will tugs on her

shirt. They speak in sign language.

THE BOY

(in subtitles)

Why do they dig?

The Mother pauses as if unsure how to answer.

12

MOTHER

(in subtitles)

Maybe they believe the past has all

the answers.

Will contemplates this. His mother sings again.

MOTHER

(in subtitles)

Night night, love you, sweet dreams,

say your prayers.

His mother with a grin winks and turns out the light.

EXT. FOREST DIG SITE- SUNSET

The elevator cart emerges with just Will in it. A few of the

workers notice this and have stopped what they’re doing.

Will keeps walking forward. The workers start to mumble to

each other and look at him. Will gives a weak grin to Helen

as he walks by. She gives him a hopeful smile. Will walks

through the picketers, who just look at him as he walks

away. One of the picketers throws down his sign and walks

off in the other direction. Will continues to walk up the

ridge headed home.

END

EXT. FOREST DIG SITE- SUNSET (CREDITS ROLLING)

Alex and the others come up in the escalator cart. As soon

as it stops Alex starts walking after Will. Alex sees that

Will is too far, so he stops. Everyone slowly starts to turn

to Alex as if waiting instruction. The kid who threw down

his sign quickly runs back to his spot and picks the sign

back up. Alex looks at everyone and sees the dirty tired

faces. He gives a motion by twirling his hand, “wrap it up.”

The workers start to make a line leading to the hole. The

picketers put their signs down and join in. They form an

assembly line pouring buckets of dirt into the hole.

FADE OUT

13

“Do You” – Charlie Kaufman Screenwriting Lecture

Miramax.com and guru.bafta.org have an awesome lecture by Charlie Kaufman on Writing. Charlie Kaufman

While this is Kaufman’s first lecture, he puts his story telling skills to excellent use in this loosely focused talk.

“Do you,” he says.

“What can be done? Say who you are, really say it in your life and in your work. Tell someone out there who is lost, someone not yet born, someone who won’t be born for 500 years. Your writing will be a record of your time. It can’t help but be that. But more importantly, if you’re honest about who you are, you’ll help that person be less lonely in their world because that person will recognize him or herself in you and that will give them hope. It’s done so for me and I have to keep rediscovering it. It has profound importance in my life. Give that to the world, rather than selling something to the world. Don’t allow yourself to be tricked into thinking that the way things are is the way the world must work and that in the end selling is what everyone must do.”

Hit the links above to see highlights, read the transcript, and listen to the full audio.