A Good Story Comes from Love

 

I found this written in one of my notebooks from years ago.  Enjoy.

A good story comes from love:

l) Love of telling a story–the belief that your vision can be expressed only through story, that characters can be more real than people, that the fictional world is more profound than the concrete.

2) Love of the dramatic– a fascination with the sudden surprises and revelations that bring sea-changes in life.

3) Love of truth– the belief that lies cripple the artist, that every truth in life must be questioned, down to one’s own secret motives; the ability to see and exorcise your own shit and to bring it up courageously and mercilessly.

4) Love of humanity–a willingness to empathize with suffering souls, to crawl inside their skins and see the world through their eyes.

5) Love of sensation– the desire to indulge in and bring to life the pleasures of the five senses.

6) Love of humor–even the most sober domestic dramas need that light touch, the twist of irony, the bite of satire, or the warm, gentle mirth that makes the most mundane scene glow.

7) Love of language–a delight in sound and sense, syntax and semantics.

8) Love of process–a joy in the journey of the story and the solitude of writing.

9) Love of uniqueness–the thrill of audacity and a stone-faced calm when it is met by ridicule.

10) Love of beauty–the courage and skill to develop your own style.

11) Love of duality, conflict, argumentation and the energy to orchestrate scene dynamics.

Faculty Pix: February

Here’s the list of film & books that TheFilmSchool Faculty have recommended in the month of February.

 

John Jacobsen Recommends:

Film:  MARGARET

Book: Train Dreams

 

 

Tom Skerritt Recommends:

Film:  THE ARTIST

Book: Unbroken and Where did you go Bernadette?

 

 

Warren Etheredge Recommends:

Film:  MARGARET

Book: Man Seeks God and On Love: a Novel

 

 

What are your picks?  Leave it in the comments section below.

The Female Filmmaking Force in Seattle

UPDATE 4/4/12 – Here’s a recording of the webcast.

We’ll be running a live webcast of this event.  
Subscribe to our email newsletter to receive notifications of upcoming webcasts.

 

Part of our free First Tuesday Event Series
April 3rd, 6:30 – 8:30pm @ Roy Street Coffee & Tea, Seattle.

Experience the momentum and strength of some of the strongest and most prolific filmmakers in Seattle. They will discuss their creative inspiration, from scriptwriting & producing, to financing their indie films at TheFilmSchool’s First Tuesday on April 3rd, 2012 at Roy Street Coffee & Tea.

*** RSVP on Facebook ***

Panelists include award-winning women filmmakers:

Sue Corcoran‘s short film Circus of Infinity won Best in Show at the Accolade Awards, and Best Short by the Nell Shipman WIF/Seattle Awards and has toured numerous festivals worldwide. Sue was named One to Watch by the Seattle Stranger Genius Awards in Film and most recently garnered success as the Associate Producer of Acclaimed Director Lynn Shelton’s Humpday. Sue is also the winner of a National Addy Award for her web series for Life Takes Visa. Sue’s 22 documentary pieces were recently launched for the show $5 Cover on MTV.Com in Dec. 2010. She has produced, written, and directed award-winning film and video for more than 15 years with experience ranging from feature production, commercials and music videos to corporate film and video. Sue’s first feature Gory Gory Hallelujah is currently in worldwide release after winning Best Feature at Shockerfest then being awarded the Bravest Feature of the Bend Film Festival by Gus Van Sant. Besides being called “a bankable yankee blond” by the London Standard, Sue’s directorial style has been described as “Felliniesque” by visual effects pioneer Douglas Trumbull (2001: A Space Odyssey, Star Trek, Blade Runner) and countless others. Sue’s feature film Ira Finkelstein’s Christmas, starring Eliot Gould, has just been released.

Lynn Shelton was born in Seattle and completed an M.F.A at the School of Visual Arts in New York City. She has directed the feature films We Go Way Back (06), My Effortless Brilliance (08), Humpday which premiered at Sundance, won the Special Jury Prize, was acquired by Magnolia Pictures, and has shown at Cannes, SIFF, South by Southwest and other film festivals. Her latest film, Your Sister’s Sister, starring Emily Blunt, also premiered at Sundance and is this year’s opening night film for the 2012 Seattle International Film Festival.

Jennifer Roth is the recent winner of The Mayor’s award for Outstanding Achievement in Film and is a 20 year veteran of the film industry. She was recently the executive producer of Darren Aronofsky’s film Black Swan which stars Natalie Portman, Vincent Cassel and Mila Kunis. In 2008 she was the executive/line producer on the Darren Aronofsky film The Wrestler starring Mickey Rourke which won the Golden Lion at the Venice Film Festival. Her other producer credits include “World’s Greatest Dad”, “Smart People” and “The Squid and the Whale”. Her early production credits include “Bad Lieutenant”, “Smoke”, “The Crow” and “Deadman”.

Megan Griffiths has been a director, writer and producer. The Off Hours, which premiered at the Sundance Film Festival 2011, is her second feature. She directed her first feature, “First Aid for Choking,” in 2003, and has since written and directed two narrative shorts.

Griffiths’ producing credits include the absurdist buddy comedy, The Catechism Cataclysm, and 2006 Slamdance Special Jury prize-winner, “The Guatemalan Handshake.” She co-produced the upcoming Lynn Shelton comedy, “Your Sister’s Sister,” starring Emily Blunt, Rosemarie Dewitt and Mark Duplass, and the acclaimed documentary, “Zoo.” Her third feature film, “Eden,” is in production.

Lacey Leavitt is a Seattle-based producer and whose credits include Colin Trevorrow’s Safety Not Guaranteed (Sundance ’12), Todd Rohal’s The Catechism Cataclysm (Sundance ’11), Dan Brown’s Your Lucky Day and two of Megan’s short films, Moving and Eros. She is the board president for IFP/Seattle, the Northwest chapter of the nation’s largest non-profit film organization. Lacey co-directed and produced the award-winning roller derby documentary Blood on the Flat Track (Strand Releasing) and is now a Rat City Rollergirl.

Jane Charles is an award-winning producer with over twenty years experience with every aspect of filmmaking. From Assistant Director to Producer, she has worked in production on series such as 21 Jump Street, Wise Guy and Booker as well as feature films Bird on a Wire (Mel Gibson, Goldie Hawn), Pure Luck (Danny Glover, Martin Short) and Run (Patrick Dempsey, Kelly Preston). She has produced hundreds of commercials and shows for television including: Knockin’ On Heaven’s Door, Home Away From Home, as well as music videos featuring Sting, Harry Connick Jr and Our Lady Peace.

COME BLOG WITH US

Hey writers, we want to hear from you! Do you have any interesting stories about your life and process as a screenwriter? TheFilmSchool seeks bloggers to share their experiences with the rest of us. The best blogs will get featured in our monthly digest and quarterly newsletters. And the *really* good ones will be used in Facebook “Sponsored Stories” campaigns. Contact nate@thefilmschool if interested.

GET YOUR FEET WET IN SHORT FILMS

by John Broderson, TheFilmSchool Class of 2008

So you wanna be a filmmaker? You’ve been working on a feature script and you know that it’s a winner, but getting a feature off the ground is a huge undertaking and quite frankly shouldn’t be the first project that you attempt. A great way to get your feet wet as a filmmaker is start off with smaller projects. I’m talking about short films. although shorts don’t have the same economic benefits as features they offer you valuable experience as a filmmaker and can even serve as a calling card to bigger and better projects. If you’ve never been around filmmakers/theatre people then that’s where you should get started.. Get involved with the scene. I bet if you go to a couple of screenings you’ll end up meeting some people that are willing to work on your project. You might have to work on some of their projects too, but that’s kind of how it goes. You’d be amazed at how quickly you can get a good group of talented people around you by networking and supporting their projects. Remember: Good actors that want to work on fun projects are your best friend.